“Ginkgo Vertotype Diptych” by Cassie Stukofski, Indianapolis, Indiana, USA
Parts used: Leaves
Amount: One-third to half a paper grocery bag, rinsed and de-stemmed
Extracted by: Simmer and reduce in a 4-quart pot for about 5 hours, then strain and filter. This made approximately 5 cups of nettle extract
Solvent: Distilled water
Application: Hake brush
Layers: 2 layers (for double exposure)
Substrate: Heavyweight white Stonehenge paper
Created with: Photogram of ginkgo leaves collected in Broad Ripple
Exposure: First exposure was 3 hours and second exposure 1 hour in June 2026 in a DIY exposure unit. The unit has Barrina T5 10W LED grow lights, 5000 kw with full spectrum. They were placed about 6 inches away.
Contrast: ✿✿ (Medium)
Challenges or observations: Make sure the surface is evenly coated; multiple coatings work best. The vertotype print (a cross between a cyanotype and an anthotype) needs extra rinsing during development, similar to a cyanotype. Pretreated paper can be stored in the dark and still prints well.
Additional information: I prepared my ‘hot’ extraction following Pedro Mendes Leal’s process in the “Vertotypes” article. I mixed the cooled nettle extract (1:1 ratio) with dissolved potassium ferricyanide to create the emulsion. I kept the mixture refrigerated for about 3 weeks, with degrading results.
Note from editor: This is not strictly an anthoytpe. By mixing the nettle extract with potassium ferricyanide, the artist is using a process called vertotype. Vertotypes are a cross between cyanotype and anthotype, using one of the chemicals from cyanotype and a plant emulsion.
Website: https://bunnywoodcreations.wordpress.com/
Stinging nettles (Urtica dioica) anthotype by Cassie Stukofski
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
World Cyanotype Day