Mix of Butterfly pea (Clitoria ternatea) and Peony ‘Inspecteur Lavergne’ (Paeonia lactiflora ‘Inspecteur Lavergne’) anthotype by Émilie Léger

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“Spring Revealed in Autumn Light” by Émilie Léger, Southwestern Québec, Canada
Parts used: Flower petals only, from dried peony and butterfly pea flowers
Amount: Petals from one dried ‘Inspecteur Lavergne’ peony flower and one handful of dried butterfly pea flowers, combined for a single botanical emulsion
Extracted by: Cooking. Both flowers were boiled together in a small quantity of water to extract their pigments
Solvent: A small quantity of water
Application: Three generous, hand-applied coats

Mix of Butterfly pea (Clitoria ternatea L.) and Peony 'Inspecteur Lavergne' (Paeonia lactiflora 'Inspecteur Lavergne') anthotype by Émilie Léger Mix of Butterfly pea (Clitoria ternatea L.) and Peony 'Inspecteur Lavergne' (Paeonia lactiflora 'Inspecteur Lavergne') anthotype by Émilie LégerLayers: 3, allowing each layer to dry before applying the next
Substrate: Canson mixed-media paper
Created with: Made with a floral image positive (dried hydrangea), produced through sunlight exposure on paper coated with emulsion
Exposure: Approximately 6 hours, outdoors in natural afternoon sunlight at the end of October, autumn 2026
UV strength: 3
Temperature: 15° Celsius or 59° Fahrenheit
Contrast: ✿ (Low)
Challenges or observations: This experiment produced a surprisingly visible image after no more than six hours of late-October sunlight in southwestern Quebec, Canada. The dried peony and butterfly pea flowers produced a blue-violet emulsion with delicate turquoise variations. Three generous layers were applied, with drying between coats. Further experiments are needed to determine how each flower contributes to the colour, contrast and exposure time.
Additional information: The peony petals came from a single ‘Inspecteur Lavergne’ flower harvested in spring 2026 and preserved by drying. This work explores botanical memory, seasonal transitions and the ephemeral nature of plant-based photographic images, as part of my ongoing research into botanical photographic processes and naturally derived photosensitive emulsions.
Instagram: @emilie.leger.art
Facebook: facebook.com/AtelierPhotosensibleArt
Website: https://emilieleger.ca


 
 

This anthotype is part of World Anthotype Day

World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 is the first book in the series:
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022
Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022


Volume 2 is the second book:
Anthotype Emulsions, Volume 2 – The collective research from photogaphers on World Anthotype Day 2023
Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023


 
Volume 3 is the third book:
Anthotype Emulsions, Volume 3 – The collective research from photogaphers on World Anthotype Day 2024
Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
 

Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024


Volume 4 will be the fourth book:

In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
 

Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026


If you want to learn more about making anthotypes there is also the first "how-to" book:
Anthotypes – Explore the darkroom in your garden and make photographs using plantsMake prints using plants - an environmentally safe process!
 
The first book solely dedicated to Anthotypes.
 

Anthotypes – Explore the darkroom in your garden and make photographs using plants

9 of 10   Rated 9,8 - based on 224 votes

And also the Complete Guide and How-To book:
Anthotypes - The Complete Guide to Making Photographs with Plants and SunlightLearn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.
 
The extended and complete guide to Anthotypes.
 

Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight

 
If you are already practising anthotype printing, we suggest making notes to document and learn:
Anthotype Notes50 pre-defined pages for you to document your anthotype process.
 

Anthotype notes – Document your anthotype process

Free for Supporting Members - both new and exisiting!

10 of 10   Rated 10 - based on 8 votes

 
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Discover how 140+ artists bring colour to traditionally monochrome processes. This book explores pigments, chemistry, layering, and experimentation through real working examples. Combines inspiration and learning!
 

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Step into a world where light, chemistry, and creativity collide. 137 artists push the boundaries of alternative photography, with processes like cyanotype, gum, and platinum printing to create unique, handcrafted images. They showcase their work, insights, and inspiration.
 

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