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Persimmon, Japanese (Diospyros kaki) anthotype by Dennis Humphrey

“kakimono” by Dennis Humphrey
Country: Vancouver, British Columbia, Canada
Parts used: Powdered granules from brewed and fermented juice of ripened fruit
Amount: 3.5 grams
Thinner: 125 mL distilled water for 2 letter-sized prints
Application: Selective brushing and dripping with foam brush; stamping with rim of small shot glass

Persimmon, Japanese (Diospyros kaki) anthotype by Dennis Humphrey

Persimmon, Japanese (Diospyros kaki) for making anthotype by Dennis HumphreyLayers: 4
Substrate: Handmade gampi washi, 100 gsm
Created with: Photogram of kimono cutout shape and Lunaria seed pods and seeds
Exposure: 7 sunny days, with maximum UV Index ranging from 6-8, August summer, 2023
Contrast: ✿✿ (Medium)
Challenges or observations: Four layers of the emulsion were applied selectively on various areas, in layers, with full drying in between: several overlapping shades of orange-brown resulted. The print was clamped under glass in a printing frame and exposed all day in a south-facing window.  The overall final effect is mottled, muted warm browns with little bleaching; there was medium contrast in the exposed areas around the kimono shape and Lunaria seed pods and loose seeds, since the exposed emulsion actually turned darker than the covered areas.
Additional information: Since persimmon juice (kakishibu) is a fermented tannin dye, it does have high lightfastness properties and is expected to darken in sunlight over time. I handmade the gampi washi paper in Kaga-shi, Japan; it has a smooth, silky texture with bark inclusions.
See gallery: AlternativePhotography.com/dennis-humphrey/
Instagram: @kamiya_artisan
Website: linktr.ee/dennishumphrey


 
 

This anthotype is part of World Anthotype Day

World Anthotype Day was started by AlternativePhotography.com in 2022. In August anthotype artists all over the world celebrate the anthotype process and send in their entries. We add them here to the database and create a reference book for each year. The purpose of the day is to build a large resource where artist can learn which pigmenets and plants that work and draw inspiration from other artists' work. The reference books can be found here:

Volume 1 is the first book in the series:
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022
Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022


Volume 2 is the second book:
Anthotype Emulsions, Volume 2 – The collective research from photogaphers on World Anthotype Day 2023
Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023


 
If you want to learn more about making anthotypes there is also the "how-to" book:
Anthotypes – Explore the darkroom in your garden and make photographs using plantsMake prints using plants - an environmentally safe process!
 
The most comprehensive resource on Anthotypes.
 

Anthotypes – Explore the darkroom in your garden and make photographs using plants

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If you are already practising anthotype printing, we suggest making notes to document and learn:
Anthotype notebook50 pre-defined pages for you to document your anthotype process.
 

Anthotype notes – Document your anthotype process

Free for Supporting Members - both new and exisiting!

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