“Ebulus leaves” by Gabriele Coassin, Venetian countryside, Italy
Parts used: Whole berries
Amount: A handful for each A4 print
Extracted by: Wrapped in cotton wool and pressed with a potato masher
Solvent: None
Application: Brushing
Layers: 1, which gives the best result in terms of time-to-contrast ratio
Substrate: ECO cotton paper for fine art inkjet printing, 200 grams
Created with: Cameraless imprint of fresh Ebulus leaves
Exposure: 25 hours at the end of August, 2026
Temperature: 18-32° Celsius or 65-90° Fahrenheit
Contrast: ✿✿ (Medium)
Challenges or observations: Caution: use appropriate protection, as elderberry stains are very difficult to remove. I tested 25, 50 and 75 hours of exposure using both single and double layers. Contrast improved with longer exposure times and a double layer of emulsion. However, even 25 hours, during the height of summer, produced an interesting result.
Additional information: Toxic berries! They are easy to confuse with edible elderberries, but the difference in their leaves helps with identification. In reality, they are not deadly; in ancient folk medicine, they were used in very small quantities to treat constipation.
Instagram: @il_coassin
Website: https://youtu.be/bShwHfXrzrQ?si=-pbi9JbRz4-IiMfT
Dwarf elder (Sambucus ebulus L.) anthotype by Gabriele Coassin
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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