“Two’s company” by Ray Harris, Bristol, UK
Parts used: Fresh berries
Amount: A handful for each print
Extracted by: Just pressing fruit directly onto the paper
Solvent: None
Application: Pressing fruit directly onto paper, light brushing
False shamrock, purple (Oxalis Triangularis) anthotype by Tracy Piper-Wright
“Spotlight” by Tracy Piper-Wright, Ellesmere, Shropshire, UK
Parts used: Leaves
Amount: 14 stems (a good handful)
Extracted by: Blender
Solvent: Tap water
Application: Foam brushing
Red lion (Amaryllis hippeastrum) anthotype by Donna Moore
“Sassafras” by Donna Moore, Blaine, Tennessee, USA
Parts used: Petals
Amount: One blossom
Extracted by: Mortar and soaking
Solvent: 91% isopropyl alcohol
Application: Brushing with foam brush
Oregon grape (Mahonia aquifolium) anthotype by Kriszta Németh
“Fotófalu” by Kriszta Németh, Törökbálint, Hungary
Parts used: Berries / Bark of stem and root
Amount: About a half handful for each print (berries) / Stem and root cut into approximately 10 cm pieces
Extracted by: Simple pressing (berries) / Soaking in alcohol (bark of stem and root)
Thinner: None for berries / Pure Ethanol for bark and root
Application: Brushing
Layers: 1 for berries / 3 for bark of stem and root
Shamrock, purple (Oxalis triangularis) anthotype by Lyndsay Cedarwood
“A is for Anthotype” by Lyndsay Cedarwood, East Sussex, England
Parts used: Leaves
Amount: 5 stems with 3 leaves each on them
Extracted by: Leaves bunched in fingers, then twisted and torn
Solvent: No solvent
Application: Rubbing
Iris (Iris germanica) anthotype by Zsófia Seress
“Under the Greek Sun” by Zsófia Seress, Göd, Hungary
Parts used: Petals
Amount: A handful for each print
Extracted by: Mortar
Solvent: Alcohol (ethanol)
Application: Brushing