“Unfurling” by Clive Pigott, Wellington, New Zealand
Parts used: Dried berries
Amount: 3 grams
Extracted by: Soaked in water for 4 days to rehydrate
Solvent: Tap water
Application: Brushing
Layers: 3
Substrate: Fabriano artistico watercolour paper
Created with: Drew an image and printed 2 positive transparency sheets (one on top of the other for better UV blocking)
Exposure: 2 weeks and 2 days in October, mid-spring 2026
Temperature: 14-20° Celsius or 57-68° Fahrenheit
Contrast: ✿ (Low)
Challenges or observations: Chokeberries produce an excellent pink/purple dye after soaking and processing, so I had high hopes. However, the juice made with 50% alcohol and 50% tap water did not produce a well-defined image. The winter sunlight was not very strong, and the positive transparency was too thin, allowing UV to penetrate the darker areas. I will try again with a much denser image. The print shown here was made with 100% tap water and a self-designed graphic. I used two registered transparencies to increase density and UV blocking. After two weeks in the sun, I returned it to the window to continue exposing it and see how far the bleaching will go before the blocked areas begin to fade.
Additional information: Getting the chokeberries was not easy. I thought the supplier was in Auckland, but the berries came from Spain!
Instagram: @artfuldodgephoto
Chokeberry, black (Aronia melanocarpa) anthotype by Clive Pigott
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

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A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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