“Thyme, Valerian Leaf, Queen Anne’s Lace, and Hyssop Photogram” by Mary Kocol
Country: USA
Parts used: Berries only – ripe black ones & almost ripe red also ok, mixed together;
Application: Hake brush
Exposure: 1 day in full summer sun
Month, season, year: Early July, summer, 2022
Substrate: Canson mix media paper, 98lb/160g
Contrast of final print: *** (High)
Amount: Cupful of berries should make about 5-10 prints with 2-3 coats each
Extracted using: Hand blender, strain with cheese cloth or nut milk bag
Thinner: Isopropyl rubbing alcohol, trace amount, or water
Layers: 3, but 2 should work
Used to create image: Photogram of my garden plants
Challenges/observations:
The wild black raspberry (Rubus occidentalis) (3 coats, applied on 2021), with 1 top coat of Pansy (Viola) applied in 2022. Brilliant most of the time, great color but fairly long exposures of a week or more, in the summer. The black raspberry emulsion can streak when applied with a brush. Oddly, this particular image only took 1 day to expose. I used 1 year old coated paper (3 coats) that was stored in the fridge for a year; I added 1 fresh layer of purple pansy to revive the paper. Perhaps adjust/increase the amount of added water or rubbing alcohol, or try a foam brush.
Normally black raspberry takes a week or more in summer sun. I’ve been applying 3 coats, which seems a bit too thick, 2 coats may be enough for the future with hopefully lesser exposure time. Black raspberries are smaller than regular red raspberries; they’re tart, not sweet.
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:
Volume 1 is the first book in the series:
Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
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Step into a world where light, chemistry, and creativity collide. 137 artists push the boundaries of alternative photography, with processes like cyanotype, gum, and platinum printing to create unique, handcrafted images. They showcase their work, insights, and inspiration.
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