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Black Raspberry, Wild (Rubus occidentalis) + Pansy (Viola) anthotype by Mary Kocol

“Thyme, Valerian Leaf, Queen Anne’s Lace, and Hyssop Photogram” by Mary Kocol
Country: USA
Parts used: Berries only – ripe black ones & almost ripe red also ok, mixed together;
Application: Hake brush
Exposure: 1 day in full summer sun
Month, season, year: Early July, summer, 2022
Substrate: Canson mix media paper, 98lb/160g
Contrast of final print: *** (High)

Wild black raspberry (Rubus occidentalis) + Pansy (Viola) anthotype by Mary KocolWild black raspberries for making anthotypesAmount: Cupful of berries should make about 5-10 prints with 2-3 coats each
Extracted using: Hand blender, strain with cheese cloth or nut milk bag
Thinner: Isopropyl rubbing alcohol, trace amount, or water
Layers: 3, but 2 should work
Used to create image: Photogram of my garden plants
Challenges/observations:
The wild black raspberry (Rubus occidentalis) (3 coats, applied on 2021), with 1 top coat of Pansy (Viola) applied in 2022. Brilliant most of the time, great color but fairly long exposures of a week or more, in the summer. The black raspberry emulsion can streak when applied with a brush. Oddly, this particular image only took 1 day to expose. I used 1 year old coated paper (3 coats) that was stored in the fridge for a year; I added 1 fresh layer of purple pansy to revive the paper. Perhaps adjust/increase the amount of added water or rubbing alcohol, or try a foam brush.

Normally black raspberry takes a week or more in summer sun. I’ve been applying 3 coats, which seems a bit too thick, 2 coats may be enough for the future with hopefully lesser exposure time. Black raspberries are smaller than regular red raspberries; they’re tart, not sweet.

Instagram: @marykocol
Facebook: mary.kocol
Website: marykocol.com


 
 

This anthotype is part of World Anthotype Day

World Anthotype Day was started by AlternativePhotography.com in 2022. In August anthotype artists all over the world celebrate the anthotype process and send in their entries. We add them here to the database and create a reference book for each year. The purpose of the day is to build a large resource where artist can learn which pigmenets and plants that work and draw inspiration from other artists' work. The reference books can be found here:

Volume 1 is the first book in the series:
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022
Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022


Volume 2 is the second book:
Anthotype Emulsions, Volume 2 – The collective research from photogaphers on World Anthotype Day 2023
Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023


 
If you want to learn more about making anthotypes there is also the "how-to" book:
Anthotypes – Explore the darkroom in your garden and make photographs using plantsMake prints using plants - an environmentally safe process!
 
The most comprehensive resource on Anthotypes.
 

Anthotypes – Explore the darkroom in your garden and make photographs using plants

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If you are already practising anthotype printing, we suggest making notes to document and learn:
Anthotype notebook50 pre-defined pages for you to document your anthotype process.
 

Anthotype notes – Document your anthotype process

Free for Supporting Members - both new and exisiting!

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