World Anthotype Day is a free event and the emulsion database is free to use. Please help:
Support World Anthotype Day for the price of a coffee! Much appreciated!

Fireweed, common (Chamaenerion angustifolium) anthotype by Sirpa Kärkkäinen

Love anthotypes? Get the anthotype newsletter and get the latest articles and events.

“A flying fantasy beetle” by Sirpa Kärkkäinen
Country: Helsinki, Finland
Parts used: Petals
Amount: 100 grams
Extracted by: Centrifuge in a blender
Thinner: Boiled tap water, a teaspoon of glycerol and vitamin C. First mixed the flower petals and a minimum amount of the boiled tap water in a blender, then filtered the mixture with cheesecloth. Mixed a teaspoon of glycerol into the solution. In the end, mixed an effervescent vitamin C tablet into the solution and mixed well
Application: Brushing

Fireweed, common (Chamaenerion angustifolium) anthotype by Sirpa Kärkkäinen

Fireweed, common (Chamaenerion angustifolium) for making anthotype by Sirpa KärkkäinenLayers: 9
Substrate: Fabriano watercolour paper
Created with: A collage made with a paper silhoutte of a bug and two leaves as the wings
Exposure: 12 hours under UV-light and 1 hour of the sunshine, July, summer 2023
Contrast: ✿✿ (Medium)
Challenges or observations: Vitamin C abbreviates the exposure time radically. The image becomes visible in a few hours. The negative point is that images made with Vitamin C are not long lasting. This picture disappeared in two days. Happily, I made a photograph of this fresh and ready image!  I think that the use of Vitamin C could be one solution for non-toxic photographic development.
Additional information: The glycerol makes the solution smoother. Because you need to put at minimum five coats to create the background colour, this helps very much. The solution of fireweed is also PH active, so you can change the colour with acids (eg. lemon juice) and alkali (eg. baking soda). The oxygen reaction makes the colour darker. This is why it is better to wait for a while after every coat and ensure drying before putting another coat: the color becomes darker meanwhile. The final image becomes resistant, if kept it in a dark place;. I haven’t noticed any colour alteration in a month.
Website: sirpaakarkkainen.wixsite.com/sirpak
Anthotypes: sirpaakarkkainen.wixsite.com/sirpak/copy-of-ymp%C3%A4rist%C3%B6taide-2


 
 

This anthotype is part of World Anthotype Day

World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 is the first book in the series:
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022
Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022


Volume 2 is the second book:
Anthotype Emulsions, Volume 2 – The collective research from photogaphers on World Anthotype Day 2023
Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023


 
Volume 3 is the third book:
Anthotype Emulsions, Volume 3 – The collective research from photogaphers on World Anthotype Day 2024
Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
 

Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024


Volume 4 will be the fourth book:

In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
 

Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026


If you want to learn more about making anthotypes there is also the first "how-to" book:
Anthotypes – Explore the darkroom in your garden and make photographs using plantsMake prints using plants - an environmentally safe process!
 
The first book solely dedicated to Anthotypes.
 

Anthotypes – Explore the darkroom in your garden and make photographs using plants

9 of 10   Rated 9,8 - based on 224 votes

And also the Complete Guide and How-To book:
Anthotypes - The Complete Guide to Making Photographs with Plants and SunlightLearn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.
 
The extended and complete guide to Anthotypes.
 

Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight

 
If you are already practising anthotype printing, we suggest making notes to document and learn:
Anthotype Notes50 pre-defined pages for you to document your anthotype process.
 

Anthotype notes – Document your anthotype process

Free for Supporting Members - both new and exisiting!

10 of 10   Rated 10 - based on 8 votes

 
Looking for a good paper to use?
The Massive Paper Chart thumb

The Massive Paper chart

by Christina Z. Anderson

85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.
 
Pure Inspiration = A cross between learning and inspiration
Pure Inspiration volume 2: Colour

Pure Inspiration #2: COLOUR

by Malin Fabbri

Discover how 140+ artists bring colour to traditionally monochrome processes. This book explores pigments, chemistry, layering, and experimentation through real working examples. Combines inspiration and learning!
 

Pure Inspiration volume 1

Pure Inspiration #1: COMPOSITES

by Malin Fabbri

A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!
 
Our 25th anniversary book
Art and Artists edition 2

Alternative Photography: Art and Artists, Edition 2

by Malin Fabbri

Step into a world where light, chemistry, and creativity collide. 137 artists push the boundaries of alternative photography, with processes like cyanotype, gum, and platinum printing to create unique, handcrafted images. They showcase their work, insights, and inspiration.
 

Leave a Comment