“I want to write flowery poems, sir!” by Bengisu Çaygür
Country: İstanbul, Turkey
Parts used: Flowers
Amount: 2 tablespoons of each
Extracted by: Boiling in water to which citric acid was added
Thinner: Water
Application: Brushing

Layers: 3
Substrate: Canson Montval medium grain watercolour paper, 300 gsm
Created with: Laser printed OHP positive
Exposure: 3 days, August, summer 2023
Contrast: ✿✿ (Medium)
Challenges or observations: In order to obtain colour from the flower, boiling in water or exposure to hot water is preferred. Since the amount of water is high, direct colour intensity cannot be obtained; dehydration is required for intense colour, but a colour change is observed in some flower waters at this stage. When the resulting flower water is not sufficiently dehydrated, the colour intensity cannot be obtained and requires layer-by-layer work. Purple petunia has been observed to fade faster than red Chinese hibiscus.
Additional information: This anthotype was inspired by the poem, “I want to write flowery poems, sir!” (“Çiçekli şiirler yazmak istiyorum bayım!”), published in February 1996 by the late Turkish poet, Didem Madak.
Instagram: @bengisucaygur
Mix of Chinese hibiscus, red (Hibiscus rosa-sinensis), Petunia, purple (Petunia × atkinsiana) anthotype by Bengisu Çaygür
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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- See ALL PRINT options and more info here



World Anthotype Day
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