Develop and dry the cyanotype

Duotone cyanotypes #7 – Print the final layer

Part 7 is the last in Matthew Bary’s series Duotone cyanotype on how to create and print the second layer of the duotone cyanotype print. It explains how to dilute the cyanotype solution for better control and shows the importance of proper registration when aligning the negative with the first layer print. Writer and photography / Matthew Bary The previous part Duotone cyanotypes #6 – Print the first layer.  Making the … Read more

Duotone cyanotypes #6 – Print the first layer

Part 6 in Matthew Bary’s series Duotone cyanotype with detailed instructions for the penultimate step in the due-tone cyanotype process, including preparing bleach and toning solutions, exposing the print, developing, bleaching, and toning the paper. Writer and photography / Matthew Bary A continuation from the previous article Duotone cyanotypes #5 – Shrink the paper. Text Making the first layer!   This is the second to final step for this due tone … Read more

Boil water and pour over

Duotone cyanotypes #5 – Shrink the paper

Part 5 in Matthew Bary’s series Duotone cyanotype shows how to prepare watercolor paper for printing due-tone cyanotypes, by shrinking the paper, coating it with cyanotype chemicals, and drying it thoroughly.  Writer and photography / Matthew Bary Once you have printed the negative as in Duotone cyanotypes #4 – Print the negative it is time to shrink the paper. In this section we are going to shrink the paper and … Read more

Dry the negatives

Duotone cyanotypes #4 – Print the negatives

Part 4 in Matthew Bary’s series on duotone cyanotype provides instructions for printing negatives using various Canon printers and transparency film. It includes details on printer settings, ink choices, and the printing process for both cyan and magenta + yellow negatives. Writer and photography / Matthew Bary Once you have created a negative Duotone cyanotypes #3 – Make negatives using GIMP you can print the negatives. It may seem odd to … Read more

Brighness negative

Duotone cyanotypes #3 – Make negatives using GIMP

Part 3 in Matthew Bary’s series Duotone cyanotype is a detailed guide for creating cyanotype negatives using Gimp software. It covers steps for flipping images, adjusting colors, adding registration marks, separating images into color components, applying curves, and exporting negatives for cyanotype printing. Writer and photography / Matthew Bary Lets start with a picture we want to use based on the previous step Duotone cyanotypes #2 – Pick your subject. … Read more

image with white border

Duotone cyanotypes #2 – Pick your subject

Part 2 in Matthew Bary’s series Duotone cyanotype about choosing subjects for cyanotype printing and considering the limitations of the duotone cyanotype process. With two-layer cyanotypes, color options are restricted, favoring black, white, brown, red, or blue hues. Writer and photography / Matthew Bary Following on from Duotone cyanotypes #1 – Many failed attempts, the first thing to note for the duotone cyanotype process is that only using two layers … Read more

Duotone cyanotypes #1 – Many failed attempts

Matthew Bary started his toning journey here with Creating multi-coloured cyanotype prints and Multi colored cyanotypes. He has since worked out his method of toning cyanotypes and shares it here in this 7-part series. Get ready to dive in! Writer and photography / Matthew Bary A few years ago I (Matthew Bary) found an article on Multi colored cyanotypes  from 2010 on making multi-layer cyanotypes. At the time I thought … Read more

Cyanotypes toned using avocado

Cyanotype Toning with Avocado Stones

Clive Pigott tries out Annette Golaz’s recipe for toning cyanotypes with avocado. The original recipe can be found in Annette Golaz’s book Cyanotype Toning alongside many other recipes. Writer and photography / Clive Pigott I was first introduced to alternative and historical printing techniques back in the early 90’s, when I was in my late 20’s. I had picked up an anniversary copy of the British Journal of Photography which … Read more

Cyanotype toning book by Annette Golaz

New book on toning cyanotypes!

The cyanotype toning book from Annette Golaz – another Routledge publication – is here, containing step-by-step instructions and contemporary artists working with toning. As we all know by now, cyanotypes are blue by default. As much as blue is a wonderful color, it is not always suitable for the final print. Luckily, cyanotypes can be toned, and now there is a whole book devoted to this topic. From the publisher: … Read more

Multi colored cyanotypes

Multi colored cyanotypes

Cyanotypes are usually blue. Or toned into a sepia color. Filipe Alves shows us how to get both blue and sepia into the same cyanotype.