“Polychrome” by Bengisu Çaygür
Country: Turkey
Parts used: Liquid (Black Guinness Beer) + Granulated powder (Guinness Coffee) + Leaves (Red Cabbage)
Application: Splashing technique with a brush
Exposure time: 2 days
Month, season and year: June, Summer, 2022
Substrate: Watercolour paper (Canson, 200 gsm, small grain)
Contrast of final print: ** (Medium)
Chard, common (Beta vulgaris L. var. cicla) anthotype by Alaz Okudan
“Ramified” by Alaz Okudan
Country: Turkey
Parts used: Leaves
Application: Brushing (with a foam brush)
Exposure time: 8 hours
Month, season, and year: July, Summer, 2021
Substrate: Canson Montval 300 gr watercolour paper
Contrast of final print: ** (Medium)
Dahlia (Dahlia pinnata) anthotype by Palle Lindgaard-Jørgensen
“Light of Hope” by Palle Lindgaard-Jørgensen
Country: Denmark
Parts used: Petals
Application: Brushing
Exposure time: 2 hours
Month, season and year: August summer, 2022
Substrate: watercolour paper
Contrast of final print: * (Low)
Coffee (Coffea arábica) anthotype by Mónica Páez Espinosa
“Wildlife whisper” by Mónica Páez Espinosa
Country: Ecuador
Parts used: Roasted ‘Galapagos’ beans
Application: Brushing
Exposure time: 10 days
Month, season and year: May 2022
Substrate: Photographic paper
Contrast of final print: ** (Medium)
Yerba Mate (Ilex paraguariensis) anthotype by Nathalia Dov
“Maintain the being” by Nathalia Dov
Country: Brazil
Parts used: Powder from crushed leaves and stems
Application: Brushing
Exposure time: 3 hours and a half
Months, season and year: July, winter, 2022
Substrate: watercolour paper / 300 gsm
Contrast of final print: ** (Medium)