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Avocado, probably “Hass” from California / Mexico (Persea americana) anthotype by Ralph Rinke

“Slice-Acado” by Ralph Rinke
Country: North Vancouver, British Columbia, Canada
Parts used: Skins: cleaned off all the flesh and chopped finely
Amount: 30 grams
Extracted by: Soaking in 100 mL distilled water with 10 mL of ammonia added, over
a period of one to two weeks. The ammonia will bring out the reds: shake/stir to
aerate the emulsion every day to intensify the colour
Thinner: Distilled water for smoother, easier coating
Application: Brushing with synthetic brush

Avocado anthotype by Ralph Rinke

Avocado for making anthotype by Ralph RinkeLayers: 6
Substrate: Watercolour paper, Stonehenge, white 250 gsm cotton rag
Created with: Positive on Fixxon transparency material printed with Epson P600
Exposure: Approx. 130 hours/17 days over 4 weeks; about 7.5 hours per day, June 06-July 03, summer, 2023
Contrast: ✿✿ (Medium)
Challenges: Subsequent prints had a lower contrast and were solarized in the shadow areas. This was the case with emulsions from both the avocado skins and the avocado pits. This could be due to a variation in the avocados used.
Additional information or observations: Prints produced from the avocado skins are a dark reddish brown colour and had a coarser texture (the emulsion was not filtered), whereas prints using the emulsion from the avocado pits are a lighter pinkish brown colour and had a very fine smooth texture. When collecting your avocado skins and pits for printing, save them in the freezer.
See gallery: AlternativePhotography.com/ralph-rinke/
Instagram: @ralphrinke
Website: ralphrinke.ca


 
 

This anthotype is part of World Anthotype Day

World Anthotype Day was started by AlternativePhotography.com in 2022. In August anthotype artists all over the world celebrate the anthotype process and send in their entries. We add them here to the database and create a reference book for each year. The purpose of the day is to build a large resource where artist can learn which pigmenets and plants that work and draw inspiration from other artists' work. The reference books can be found here:

Volume 1 is the first book in the series:
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022
Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022


Volume 2 is the second book:
Anthotype Emulsions, Volume 2 – The collective research from photogaphers on World Anthotype Day 2023
Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023


 
If you want to learn more about making anthotypes there is also the "how-to" book:
Anthotypes – Explore the darkroom in your garden and make photographs using plantsMake prints using plants - an environmentally safe process!
 
The most comprehensive resource on Anthotypes.
 

Anthotypes – Explore the darkroom in your garden and make photographs using plants

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If you are already practising anthotype printing, we suggest making notes to document and learn:
Anthotype notebook50 pre-defined pages for you to document your anthotype process.
 

Anthotype notes – Document your anthotype process

Free for Supporting Members - both new and exisiting!

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