“Stiltgrass on Stiltgrass on Stiltgrass” by Schuyler Kogan, Woodbury, Connecticut, USA
Parts used: Leaves and stems
Amount: ~200 mL
Extracted by: Blender
Solvent: Isopropyl alcohol
Application: Dabbing with sponge paintbrush
Layers: 4
Substrate: Hand-made paper from bleached stiltgrass fibres
Created with: Photo-positive of stiltgrass plants
Exposure: ~45 minutes in August, Summer 2026
UV strength: ~6
Temperature: ~24° Celsius or ~75° Fahrenheit
Contrast: ✿✿✿ (High)
Challenges or observations: This was one of the better plant emulsions I have used, but it should be used soon after extraction, as it gradually becomes duller while in suspension. Filtering the extracted pigment through cloth also left sediment at the bottom of the container. Avoid getting this sediment on the paper, as it leaves dark marks after exposure.
Additional information: This project, including making the paper, resulted from a long series of experiments my father and I carried out to find creative uses for common invasive grasses in our area. We are both very pleased with the results: high-quality paper, bright pigment, rapid exposure time and high contrast. I have come to appreciate the plant as a material, and I am also happy that we have managed to reduce some of the local patches in the process.
Japanese stiltgrass (Microstegium vimineum) anthotype by Schuyler Kogan
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

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World Anthotype Day
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