Final tricolour cyanotype

Tri-Color Cyanotypes: Advancing the Techniques from Duotone

Building on the foundation of duotone cyanotype, Matthew Bary guides us through the next step – creating tri-colour cyanotypes, including a detailed step-by-step for preparing negatives. Drawing from earlier failed experiments. With emphasis on image selection, precision, and patience, this method reveals how vibrant, multi-layered cyanotypes can be achieved using simple materials and creative problem-solving. Writer and photography / Matthew Bary   My “duo tone” tests and instructions ultimately came … Read more

Cyanotype by Matthew Bary

Matthew Bary

Matthew Bary, an avid photographer, rediscovered his passion for film and alternative processes. He experiments with various techniques, especially cyanotypes, and promotes the hobby to others, making it accessible and affordable. From: Corydon, Indiana, USA Shows: Cyanotypes and Silver gelatines Growing up, Matthew Bary was always interested in photography, but as the hobby rapidly shifted to digital, he lost interest for years. Later, he discovered that film was still thriving … Read more

Develop and dry the cyanotype

Duotone cyanotypes #7 – Print the final layer

Part 7 is the last in Matthew Bary’s series Duotone cyanotype on how to create and print the second layer of the duotone cyanotype print. It explains how to dilute the cyanotype solution for better control and shows the importance of proper registration when aligning the negative with the first layer print. Writer and photography / Matthew Bary The previous part Duotone cyanotypes #6 – Print the first layer.  Making the … Read more

Duotone cyanotypes #6 – Print the first layer

Part 6 in Matthew Bary’s series Duotone cyanotype with detailed instructions for the penultimate step in the due-tone cyanotype process, including preparing bleach and toning solutions, exposing the print, developing, bleaching, and toning the paper. Writer and photography / Matthew Bary A continuation from the previous article Duotone cyanotypes #5 – Shrink the paper. Text Making the first layer!   This is the second to final step for this due tone … Read more

Boil water and pour over

Duotone cyanotypes #5 – Shrink the paper

Part 5 in Matthew Bary’s series Duotone cyanotype shows how to prepare watercolor paper for printing due-tone cyanotypes, by shrinking the paper, coating it with cyanotype chemicals, and drying it thoroughly.  Writer and photography / Matthew Bary Once you have printed the negative as in Duotone cyanotypes #4 – Print the negative it is time to shrink the paper. In this section we are going to shrink the paper and … Read more

Dry the negatives

Duotone cyanotypes #4 – Print the negatives

Part 4 in Matthew Bary’s series on duotone cyanotype provides instructions for printing negatives using various Canon printers and transparency film. It includes details on printer settings, ink choices, and the printing process for both cyan and magenta + yellow negatives. Writer and photography / Matthew Bary Once you have created a negative Duotone cyanotypes #3 – Make negatives using GIMP you can print the negatives. It may seem odd to … Read more

Brighness negative

Duotone cyanotypes #3 – Make negatives using GIMP

Part 3 in Matthew Bary’s series Duotone cyanotype is a detailed guide for creating cyanotype negatives using Gimp software. It covers steps for flipping images, adjusting colors, adding registration marks, separating images into color components, applying curves, and exporting negatives for cyanotype printing. Writer and photography / Matthew Bary Lets start with a picture we want to use based on the previous step Duotone cyanotypes #2 – Pick your subject. … Read more

image with white border

Duotone cyanotypes #2 – Pick your subject

Part 2 in Matthew Bary’s series Duotone cyanotype about choosing subjects for cyanotype printing and considering the limitations of the duotone cyanotype process. With two-layer cyanotypes, color options are restricted, favoring black, white, brown, red, or blue hues. Writer and photography / Matthew Bary Following on from Duotone cyanotypes #1 – Many failed attempts, the first thing to note for the duotone cyanotype process is that only using two layers … Read more

Duotone cyanotypes #1 – Many failed attempts

Matthew Bary started his toning journey here with Creating multi-coloured cyanotype prints and Multi colored cyanotypes. He has since worked out his method of toning cyanotypes and shares it here in this 7-part series. Get ready to dive in! Writer and photography / Matthew Bary A few years ago I (Matthew Bary) found an article on Multi colored cyanotypes  from 2010 on making multi-layer cyanotypes. At the time I thought … Read more