“Self-Portrait with Zinnias” by Amber J. Anderson, Cleveland, Ohio, USA
Parts used: Petals and seeds
Amount: Petals and seeds of six flowers
Extracted by: Mortar and pestle
Thinner: Vodka
Application: Foam brush
World Anthotype Day 2025 – the movie
We’re thrilled to share our latest video celebrating World Anthotype Day! Take a look at anthotypes from artists all around the world making prints from natural pigments. Watch the full video here: If the YouTube link for some reason does not work, click here. Go to the gallery 2025 to see the names and credits. And the database to see how the anthotypes are made. Subscribe to our anthotype newsletter … Read more
Witch hazel (Hamamelis) anthotype by Jen Perena
“Floating Shapes” by Jen Perena, Rochester, New York, USA
Parts used: Petals
Amount: 4 tablespoons
Extracted by: Mortar and pestle
Thinner: Distilled white vinegar with baking soda added directly into the emulsion
Application: Brushing
Watermelon (Citrullus lanatus) anthotype by Amy Flatow
“Waning Summer” by Amy Flatow, Woodbourne, NY, United States
Parts used: Pulp
Amount: 1 watermelon
Extracted by: Juicing
Thinner: None
Application: Foam brush
Watercress (Nasturtium officinale) anthotype by Romolo Mazzoccante
“Before the storm” by Romolo Mazzoccante, Brasília, Distrito Federal, Brazil
Parts used: Leaves
Amount: 200 grams
Extracted by: Centrifuge
Solvent: None
Application: Brushing
Watercress (Narsturtium officinale) anthotype by Ana Cláudia de Souza Mota
“Candle” by Ana Cláudia de Souza Mota, Brasília, Brazil
Parts used: Leaves
Amount: 30 grams
Extracted by: Centrifuge
Solvent: None
Application: Dipping
Walnut, black (Juglans nigra) anthotype by Cheryl Hoffmann
“Black Walnut” by Cheryl Hoffmann, Orr Lake, Canada
Parts used: Nut for making ink, leaves for photogram
Amount: 25 nuts, crushed to expose the inside of the outer shell
Extracted by: Cooking and straining
Thinner: Simmered in water from the lake. A little vodka was added when cooled
Application: Brushing
Walnut (Juglans nigra) anthotype by Arindam Majumdar
“Who was your mother, before she was your mother?” by Arindam Majumdar, Indianapolis, Indiana, USA
Parts used: Shell
Amount: 30 shells
Extracted by: Soaked in water for an hour, then boiled for one hour and filtered with a cloth
Solvent: Tap water
Application: Floating watercolour paper on top of the emulsion in a tray of walnut extract overnight to soak
Wakame seaweed (Undaria pinnatifida) anthotype by Edward James Powers
“Morning Surf” by Edward James Powers, Venus, Pennsylvania, USA
Parts used: Blades
Amount: 1/4 cup dried fronds
Extracted by: Ground in a blender, then soaked for one week
Solvent: 91% isopropyl alcohol
Application: Brushing
Violet, wood (Viola odorata) anthotype by Anne Kalinic
“Violette sur Erdre” by Anne Kalinic, Nantes, France
Parts used: Petals
Amount: A handful for a little smaller than an A5 print
Extracted by: Mortar
Thinner: A drop of Vodka 37.5%
Application: Brushing
Violet, wild (Viola sororia) anthotype by Mickey Mariash
“Wild Violet” by Mickey Mariash, Yorktown Heights, New York, USA
Parts used: Entire flower
Amount: A handful per mortar bowl
Extracted by: Mortar and pestle
Thinner: Rubbing alcohol
Application: Brushed on
Tomato leaves (Solanum lycopersicum) anthotype by Kriszta Németh
“Grotex” by Kriszta Németh, Törökbálint, Hungary
Parts used: Leaves
Amount: About a handful for each print
Extracted by: Mixing and soaking in alcohol
Thinner: Alcohol (70%)
Application: Brushing
Teak (Tectona grandis) anthotype by Rajeev Peethambaran
“Zephyr” by Rajeev Peethambaran, Kerala, India
Parts used: Leaves
Amount: 1 gram of tender leaves
Extracted by: Mortar
Solvent: Alcohol (vodka)
Application: Brushing
Tarragon, French (Artemisia Dracunculus var. Sativa) anthotype by Ralph Rinke
“Tarragon ogram” by Ralph Rinke, Parksville, British Columbia, Canada
Parts used: Leaves
Amount: Approximately 2 grams of 2-20 cm stalks
Extracted by: Mortar
Solvent: Distilled water, 6 mL
Application: Brushing
Tamarillo (Solanum betaceum) anthotype by Clive Pigott
“Wallmen” by Clive Pigott, Wellington, New Zealand
Parts used: Fruit (pips)
Amount: Approximately 6 mL from one fruit
Extracted by: Extracted by removing the juicy area around the pips, and squeezing through muslin with a little bit of alcohol
Thinner: Isopropyl Alcohol
Application: Brushing
Sun rose (Mesembryanthemum cordifolium) anthotype by Karol Santiago
“Untitled” by Karol Santiago, Caruaru, Brazil.
Parts used: Leaves
Amount: A handful
Extracted by: Maceration
Thinner: None
Application: Brushing
Sumac (Rhus coriaria) anthotype by Saba Fazli
“1” by Saba Fazli, Tehran, Iran
Parts used: Sumac powder
Amount: A handful for each print
Extracted by: Boiling
Solvent: Tap water
Application: Brushing
Squill, Siberian (Scilla siberica) anthotype by Suanne Peterson
“Quack” by Suanne Peterson, Medford, Massachusetts, USA
Parts used: Petals
Amount: About 2/3 of a tablespoon
Extracted by: Mortar
Thinner: Tap water and a little isopropyl alcohol
Application: Brushing
Sloe berry (Prunus spinosa) anthotype by Ania Krypska
“Halo 2025” by Ania Krypska, Buckinghamshire, UK
Parts used: Berries
Amount: 20 grams
Extracted by: Mashing in a mortar and straining through cloth
Solvent: Water
Application: Brushing
Slippery Jack mushroom (Suillus luteus) anthotype by Patricio Ceriani
“Spiderwebs of Time” by Patricio Ceriani, Villa de Merlo, Province of San Luis, Argentina
Parts used: Dehydrated mushroom parts
Amount: About 10 grams
Extracted by: Cooking
Thinner: Tap water
Application: Brushing