“Who was your mother, before she was your mother?” by Arindam Majumdar, Indianapolis, Indiana, USA
Parts used: Shell
Amount: 30 shells
Extracted by: Soaked in water for an hour, then boiled for one hour and filtered with a cloth
Solvent: Tap water
Application: Floating watercolour paper on top of the emulsion in a tray of walnut extract overnight to soak
Layers: 1
Substrate: Arches watercolour paper
Created with: The original image is an old black-and-white photograph from a family album, taken several decades ago. The print was scanned and converted into a positive transparency for printing.
Exposure: 6 months (~180 days exposure) on sunny days from May to October, 2025
UV strength: Natural sunlight
Temperature: 16-32° Celsius or 61-90° Fahrenheit
Contrast: ✿✿ (Medium)
Challenges or observations: Walnuts yield a deep chocolate tone but demand very long exposures—around 180 days of strong sunlight—to achieve rich contrast. Working with walnut dye encouraged me to extend exposure times far beyond my usual anthotypes made with berries. The extract stains skin, so gloves are essential.
Additional information: The image is a repurposed vintage photo of my mother. I float the watercolour paper in a tray on top of the walnut extract overnight. This allows for the paper to become full saturated with the extract and results in deep colors, and a large photosensitive dynamic range, not possible with simply brushing on the extract. There is a technique to this way of coating the paper, being mindful not to trap air bubbles.The contact frame and matte formed a border that reveals the original saturation of the walnut dye. The exposed regions highlight juglone’s wide photosensitive range. The work invites reflection on who our parents were before becoming parents.
Instagram: @arindam_dream_no9
Walnut (Juglans nigra) anthotype by Arindam Majumdar
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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