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Bloodroot (Sanguinaria canadensis) anthotype by Alexandra Whiteside

“Golden Toad” by Alexandra Whiteside
Country: Texas, USA
Parts used: Fresh root/rhizome, purchased online
Amount: Two dozen 1″-3″ chunks of fresh roots, chopped into thin slices (about 2 cups of material)
Extracted by: Simmering of mixture
Thinner: Distilled water and reagent-grade pure alcohols (ethanol; possibly some methanol)
Application: Brushing on paper with a mop watercolor brush

Bloodroot anthotype by Alexandra Whiteside

Bloodroot for making anthotypesLayers: About 5
Substrate: Arches hot-pressed white cotton rag watercolour paper, 140 lb
Created with: Inkjet printed transparency (3 layers)
Exposure: 2-3 days outdoors in a contact printing frame, July, summer, 2023
Contrast: ✿✿ (Medium)
Challenges or observations: I washed and soaked roots to remove dirt and debris. I discarded this water; cut up and simmered the roots in a covered pot with just enough solvent (water/alcohol mixture) to cover the roots; added two pinches of Glauber’s salt and Kosher salt. I heated the mixture for several hours (careful not to let the water boil, and replacing any water lost in evaporation). Once the dye bath cooled, I poured the contents into a glass jar ; it will keep its freshness for 2-4 weeks if refrigerated or stored away from light at room temperature. More absorbent papers, such as Twinrocker handmade watercolour paper, resulted in a low-contrast image after weeks in the sun. The same occurred if I saturated the paper with too much dye. For best contrast, use a high-quality cotton rag paper with a smooth/well-sized surface (like the Arches HP); allow each layer of dye to dry fully before applying another coat; sandwich several copies of the inkjet transparencies to increase the opacity of the positive; expose the image for a relatively short period during exceptionally sunny and hot days.
Additional information: The sap from the roots is toxic (it contains a potent escharotic); ventilation and proper PPE are important! I coat my anthotypes with a thin layer of Renaissance Wax to protect them from water or humidity damage; using this technique and careful storage practices, I have noticed almost no fading in my anthotypes over time,
Instagram: @flavorful_quark


 
 

This anthotype is part of World Anthotype Day

World Anthotype Day was started by AlternativePhotography.com in 2022. In August anthotype artists all over the world celebrate the anthotype process and send in their entries. We add them here to the database and create a reference book for each year. The purpose of the day is to build a large resource where artist can learn which pigmenets and plants that work and draw inspiration from other artists' work. The reference books can be found here:

Volume 1 is the first book in the series:
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022
Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022


Volume 2 is the second book:
Anthotype Emulsions, Volume 2 – The collective research from photogaphers on World Anthotype Day 2023
Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023


 
If you want to learn more about making anthotypes there is also the "how-to" book:
Anthotypes – Explore the darkroom in your garden and make photographs using plantsMake prints using plants - an environmentally safe process!
 
The most comprehensive resource on Anthotypes.
 

Anthotypes – Explore the darkroom in your garden and make photographs using plants

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If you are already practising anthotype printing, we suggest making notes to document and learn:
Anthotype notebook50 pre-defined pages for you to document your anthotype process.
 

Anthotype notes – Document your anthotype process

Free for Supporting Members - both new and exisiting!

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