“Grief” by Clive Pigott
Country: Wellington, New Zealand
Parts used: Skin of the ‘pear’
Amount:Whole of ‘pear’ skin
Extracted by: Chopping, mortar, soaking and squeezing through muslin
Thinner: Isopropyl alcohol
Application: Brushing
Layers: 4
Substrate: Watercolour paper, Fabriano Artistico, 300 gsm
Created with: OHP Digital positive
Exposure: 2.5 months (still ongoing – see below), May, June, July Winter 2023
Contrast: ✿✿ (Medium)
Challenges or observations: Difficult to get a ‘juice’ for coating; the skin is fairly dry and hard (a bit like cardboard).
This image was exposed in a window that pointed directly north toward our winter sun; it has taken ages to get to this point. I almost pulled it and opted for another botanical.
Additional information: This image is still being exposed. I decided to keep it going beyond the Anthotype Day deadline. The definition/sharpness of the print is much better than I achieved last year with my cabbage and beet mix.
Instagram: @artfuldodgephoto

Avocado (Persea americana) anthotype by Clive Pigott
This anthotype is part of World Anthotype Day
World Anthotype Day was started by AlternativePhotography.com in 2022. In August anthotype artists all over the world celebrate the anthotype process and send in their entries. We add them here to the database and create a reference book for each year. The purpose of the day is to build a large resource where artist can learn which pigmenets and plants that work and draw inspiration from other artists' work. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

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