“Paranapiacaba” by Carolina Carmini, São Paulo, Brazil
Parts used: Powder
Amount: 30 grams
Extracted by: Soaking
Solvent: Isopropyl alcohol
Application: Brushing
Layers: 4
Substrate: Paper Canson Montval, 200 gsm
Created with: Laser-printed positive on transparency film
Exposure: 30 hours in September, spring 2026
Temperature: 12-33° Celsius or 54-91° Fahrenheit
Humidity: 20%-40%
Contrast: ✿ (Low)
Challenges or observations: This tree is also known as Indian redwood and is related to Brazilwood, a species native to my country that gave it its name. However, years of uncontrolled exploitation have brought the tree to the brink of extinction. Planting and extraction are now subject to severe restrictions, making the wood almost impossible to obtain. For some works, I use Indian redwood, which produces the same characteristic red colour. As it is not native to my country, I can only obtain it in powder form.
Additional information: I chose isopropyl alcohol for the extraction because it works fast. The resulting emulsion is orange-red, but turns pink when diluted with water. I believe longer exposure would produce better definition. I had to use a UV bed for the entire exposure, as El Niño brought many rainy days and very little sunshine to my region.
Instagram: @caos.analogico
Sappanwood (Biancaea sappan) anthotype by Carolina Carmini
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

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World Anthotype Day
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