Subtle blues: Impossible Color Shade
Elizabeth Graves reviews the first edition of The Impossible Project’s experimental color film, Color Shade First Flush and finds the aged prints resemble color photographs of earlier eras.
Elizabeth Graves reviews the first edition of The Impossible Project’s experimental color film, Color Shade First Flush and finds the aged prints resemble color photographs of earlier eras.
The Impossible Project (the IP) has been releasing their re-engineered integral films for use in Polaroid cameras this year, and before trying out any manipulations or lifts, Elizabeth took two versions of their monochrome film for a test drive in a Polaroid 600 camera to view their unique characteristics.
Erik Wiklund shows us how to transfer Polaroids onto glass.
Palma Allen shows us how to Slit-Mount Polaroid Time Zero Mono Prints in a professional manner.
Palma Allen talks about taking photographs on graveyards, symbology and infrared photography.