“Flowers and Grasses” by Debbie Bentley, Wiggins, Colorado, USA
Parts used: Leaves
Amount: 8 cut stems from the plant in the greenhouse, which I grew from seed. I used the leaves I removed, weighing 41 grams
Extracted by: Boiled the leaves in water for 10 minutes, then soaked them in the hot water for another 10 minutes. I then crushed the drained leaves with a mortar
Solvent: 1/2 cup of 91% Alcohol
Application: Brushing
Layers: 2
Substrate: Hahnemühle Platinum Rag, 300 gsm cotton paper
Created with: Photogram with rose of Sharon blooms and grasses from my yard
Exposure: 12 hours in August, summer 2026
UV strength: 8-9
Temperature: 37° Celsius or 98° Fahrenheit
Humidity: 15%
Contrast: ✿ (Low)
Observations: This emulsion did not behave as I expected at all. Instead of the covered areas becoming darker with exposure, the paper with no photogram contact became darker, with the areas under the petals, etc. appearing white. (It did the same thing in a previous test.) In addition, the moisture in the flower centres literally bonded with the paper fibres! The areas underneath the grasses also became a light green. I have never seen anything quite like this, but I have to say, I love the image!
Instagram: @debbie_bentley_photography
Website: debbiebentleyphotography.net
Rosemary (Rosmarinus officinalis) anthotype by Debbie Bentley
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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