It’s here! Anthotype Emulsions, Volume 2
by Malin Fabbri The second book in the series from World Anthotype Day Anthotype Emulsions, Volume 2 – The…
by Malin Fabbri The second book in the series from World Anthotype Day Anthotype Emulsions, Volume 2 – The…
Gabriele Coassin shares his experiments in the ecological-biological development of black-white films, the results of a two-year long experiment. Writer…
Clive Pigott tries out Annette Golaz’s recipe for toning cyanotypes with avocado. The original recipe can be found in Annette…
John Riches at TruNeg has a method using mathematics to fix the failure of the inverted image to make a…
Cody Goddard discovered a process to use the throwaway side of 669 film to make an additional print.
Sandy King, the author of the book of Carbon and Carbro tells us how to make carbon transfers.
Elizabeth Graves examines acetic acid development upon classic formula cyanotypes and disprove the myths about developing in vinegar.
Tom Miller, one of the photgraphers behind the Worldwide Pinhole Photography Day talks about the event and his own pinhole obsession.
Gregg Kemp from Pinhole Visions interviews Edward Levinson after reading his book Timescapes Japan – A Pinhole Journey.
Elizabeth Graves interviews Michael Shindler of RayKo Photo Center after the opening of a new a wet plate collodion darkroom/studio for hire.
Allan Lamb, author of Framing Photography and a certified picture framer reflects on the importance of proper archival techniques.
A group of Italian photographers and artists working with alternative photographic processes.
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At three stories high, eleven stories long, Guinness Records says the Great Picture is the largest photograph in the world.
Interview with the man behind the "The-alt-photo-process mailing list", also known as just The List.
Steven Pitsenbarger tells us how he achieved amazing colours using nothing but plants.
Interview with a book artist, paper engineer and author of the Pocket Paper Engineer.
John Marriage takes a closer look at John Evans’ cd-book.
An interview with Linda Stemer, and how she came to be the owner of Blueprint on Fabric, a cyanotype business.
Anthony Mournian of the Photographers’ Formulary tells the story of Malin Fabbri: Founder of AlternativePhotography.com.
An extract from Laura Blacklow’s book New Dimensions in Photo Processes written by Jesseca Ferguson and Walter Crump.
Melissa Jolley tells us how she combines digital artwork with historic photographic processes.
The three most common ways of coating emulsion onto paper are floating the paper, using a coating rod, or brushing it on. An extract from the book Alternative Photography Processes.
Elizabeth Graves examines the effects of ageing on the "blue vandyke" process.