Formula overview for Vandyke, Kallitype and Argyrotype

As they are similar in their make-up, many confuse Kallitypes with Vandykes (also called Vandyke Browns) and even Argyrotypes. Wynn White clarifies things for us in this overview. Recipes for the fixer is also included.

Writer and photography / Wynn White


To find out how to do the processes, take a look at the step-by-step guides here: The Vandyke process, the Kallitype process and the Argyrotype process.

Of the three processes Kallitype offers contrast control as well as image color control through development and then through toning. Vandyke doesn’t offer much contrast control but image color can be altered through toning. Argyrotype doesn’t offer much contrast control but print color can be altered through humidifying the paper before exposure and through toning.

Vandyke Formula

Vandyke print
I have tried varying the amounts of each of the three ingredients but have found the basic formula to give the best results.

Solution A

  • Ferric Ammonium Citrate 9.0 gm
  • Distilled Water 33.0 ml

Solution B

  • Tartaric Acid 1.5 gm
  • Distilled Water 33.0 ml

Solution C

  • Silver Nitrate 3.8 gm
  • Distilled Water 33.0 ml

Combine Solutions A and B and slowly add C while stirring. Pour the sensitizer in a brown bottle and let it age for a few days before using. Keep it stored in a dark place. I keep mine in a covered box. I have used sensitizer that had been sitting around for a year or so and it was fine. Eventually contrast will drop off and fog will start to be evident.

Image above: Coyote Bones, Vandyke print by Wynn White.

kallitype print
Kallitype developer formulas from the Bostick & Sullivan:

Solution A

  • Silver Nitrate 10.0 gm
  • Water to make 100.0 ml

Solution B

  • Ferric Oxalate 20.0 gm
  • Water to make 100.0 ml

For a developer I have had the best results with 20% sodium citrate. There are many others (like developers from B&S) that offer a variety of colors but they don’t clear as well.

For a clearing bath I add a bit of citric acid to water until it is slightly acidic.

Black Kallitype Developer

  • Sodium Acetate 100 gm
  • water 1 qt
  • Tartaric Acid 3 gm
  • Potassium Dichromate 2% solution 6 ml

Brown Kallitype Developer

  • Sodium borate (Borax) 75 gm
  • Water 1 qt
  • Potassium Sodium tartrate (Rochelle Salt) 37 gm
  • Tartaric acid 3 gm
  • Potassium Dichromate 2% solution 6 ml

Sepia Kallitype Developer

  • Water 1 qt
  • Potassium Sodium tartrate (Rochelle Salt) 50 gm
  • Tartaric Acid 3 gm
  • Potassium Dichromate 2% solution 6 ml

Blue Kallitype Developer

  • Potassium Sodium tartrate (Rochelle Salt) 37 gm
  • Water 1 qt
  • Sodium Formate 40 gm
  • Tartaric Acid 3 gm
  • Potassium Dichromate 2% solution 6 ml

Maroon Kallitype Developer

  • Potassium Sodium tartrate (Rochelle Salt) 37 gm
  • water 1 qt
  • Sodium tungstate 55 gm
  • Tartaric Acid 3 gm
  • Potassium Dichromate 2% solution 6 ml

Image above: Bulb in Jar, kallitype print by Wynn White, on Rising Stonehenge paper and toned with Platinum.

Argyrotype Formula

argyrotype print

Chemicals needed for the Sensitizer

  • Sulfamic Acid 7.0 g
  • Silver (I) Oxide 7.0 g
  • Ammonium Iron (III) Citrate (green) 2.0 g
  • Distilled water to make 100.0 cc

Making up the Sensitizer (under tungsten lighting only)

1. Heat 70 cc distilled water to 50-60 °C, and dissolve 7 g Sulphamic Acid in it.

2. Add 7 g powdered Silver(I) Oxide to the hot solution (1) in small amounts with vigorous stirring until all is dissolved.

3. Add 22 g Ammonium Iron(III) Citrate in portions to the warm solution (2), stirring until it is all dissolved. Allow to cool.

4. Add distilled water (at room temperature) to make a final volume of 100 cc and filter the solution to remove any small amount of solid remaining. (The solution should be a clear deep olive-green colour.)

5. Store in a brown bottle in the dark at room temperature. (The solution should keep for a year, at least. If it throws down a small amount of black precipitate, it should be refiltered.)

Image above: Three Sunflower, Argyrotype by Wynn White.

Fixer for Vandyke, Kallitype, Argyrotype and Salt

Stock solution:

  • Sodium Bicarbonate 55.0 gm
  • Sodium Sulfite 20.0 gm
  • Sodium Thiosulfate 550.0 gm
  • Water to Make 1000.0 ml

Dilute 1:9 to make working solution.

Wynn White is an American fine art photographer living and working in Japan.

Recommended books for the Vandyke Printer and suppliers
Breaking the Rules. A Photo Media Cookbook

Breaking the Rules. A Photo Media Cookbook

by Bea Nettles

Pinholes, cyanotypes, and more. Out of print.

 
 
Recommended reading - Learn more about Kallitype & vandykes
Kallitype, Vandyke Brown, and Argyrotype: A Step-by-Step Manual of Iron-Silver Processes Highlighting Contemporary Artists

Kallitype, Vandyke Brown, and Argyrotype: A Step-by-Step Manual of Iron-Silver Processes Highlighting Contemporary Artists

by Donald Nelson

A cookbook of simple, basic recipes for making black and white printing paper and paper negatives.
 

Alchemist's Guide To The Kallitype Print: Printing In Silver

Alchemist's Guide To The Kallitype Print: Printing In Silver

by Grant M. Handgis

A step-by-step guide to printing kallitypes.
 

Kallitype: The Processes and the History

Kallitype: The Processes and the History

by Dick Stevens

An extensive encyclopedia of history and various kallitype processes.
 

Making Kallitypes

Making Kallitypes

by Dick Stevens

A definitive guide.
 

5 thoughts on “Formula overview for Vandyke, Kallitype and Argyrotype”

  1. Brown / Sepia / Blue Kallitype Developer

    The developer containing Potassium Sodium tartrate and tartaric acid that is not right. Upon acidification Potassium Sodium tartrate is formed is not soluble Potassium bitartrate …

    What is the source of these recipes?

  2. You tried to develope kallitype by Potassium Sodium tartrate + Sodium Formate?
    What results at you have turned out?

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