“Ilgaz” by Bengisu Çaygür, İstanbul, Turkey
Parts used: Cones
Amount: 50 mL
Extracted by: The cleaned oriental spruce cones were boiled in enough water to cover them. The resulting water was filtered and reduced over low heat to obtain the colour
Thinner: Water
Application: Dipping and brushing
Layers: Working surfaces were immersed in the obtained cone water and left until the paper was completely covered
Substrate: Canson 1557 smooth grain drawing paper, 200 gsm
Created with: Laser printed OHP positive
Exposure: 5 days in August, summer 2024
UV strength: 6
Temperature: 29-31° Celsius
Humidity: 55-60%
Contrast: ✿✿ (Medium)
Challenges or observations: The oriental spruce cones that had fallen from the tree have been collected, cleaned, and boiled in water. As the resin from the cones has been released during boiling, the cones have been removed, and the liquid has been filtered 2-3 times using cheesecloth. I dipped the paper in the solution and dried it when it had soaked up enough colour. Ripples were caused by the dipping process. After drying, I applied a layer of concentrated solution with a brush.
Additional information: The photograph with anthotype application is a view of the oriental spruce trees of Ilgaz Mountain, Kastamonu, Turkey
Instagram: @bengisucaygur
Oriental spruce cone (Picea orientalis strobilus) anthotype by Bengisu Çaygür
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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