“Broken Arrowhead” by Bridget Murphy Milligan, Ohio, USA
Parts used: Leaves
Amount: 2 cups of the leaves
Extracted by: Blender
Thinner: ½ cup of cheap vodka
Application: Brushing
Layers: 4-5 layers
Substrate: Hahnemühle platinum rag, 300 gsm
Created with: Positive on Pictorico Ultra OHP film, printed with inkjet
Exposure: 6 hours in September, autumn 2025
UV strength: 6-8
Temperature: 21-32° Celsius or 70-90° Fahrenheit
Contrast: ✿✿ (Medium)
Challenges or observations: I prepared the emulsion by blending the leaves with ½ cup of vodka and letting it rest in the refrigerator for 2–3 days before straining through cheesecloth to remove the pulp. I applied 4–5 coats to Hahnemühle Platinum paper using a foam brush. The coated paper was sandwiched with OHP film and exposed in a contact printing frame for six hours under the hot September sun. I was pleasantly surprised that the exposure, taking less than a full day, produced a high-contrast image with sharp detail in both highlights and midtones. A generous coat of Renaissance wax was applied to prevent fading and oxidation.
Additional information: Lambsquarters, or white goosefoot, is a common plant in sunny, disturbed areas across North America—gardens, ploughed fields, roadsides, and stream banks. Historically, many Native American communities used it for food and medicine, and its shoots and leaves were also employed to produce natural green dyes for camouflaging bows and arrows.
Website: bridgetmmilligan.com
Lambsquarters (Chenopodium album) anthotype Bridget Murphy Milligan
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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