“Pinecone” by Paul Ligas, Ledbury, Herefordshire, UK
Parts Used: Petals
Amount: A handful of petals
Extracted by: Mortar & pestle
Thinner: 4 teaspoons of isopropyl alcohol
Application: Brushing with a foam brush

Layers: 2
Substrate: Daler Rowney Aquafine smooth, hot-pressed watercolour paper, 300 gsm
Created with: Laser printed OHP positive
Exposure: 4.5 hours in sunshine with occasional summer clouds, on June 26, summer 2025
Contrast: ✿ (Low)
Challenges or observations: I’ve occasionally noticed variations in the colour of the final print when using Imperforate St John’s Wort petals. The colour shown here represents the most common result, though some prints have appeared noticeably redder (see additional information below). I’ve not yet determined what causes these differences, as they can occur even a week later using identical materials and the same process.
Additional information: Imperforate St John’s Wort is often found in waste ground, rough grassy areas, and occasionally in shaded, damp locations across Europe and Western Asia. Flowering through the summer months, it has a long history of use in traditional medicine and carries mythological significance—partly due to the red pigment that can be extracted from parts of the plant.
Instagram: @paulligasphotography
Facebook: facebook.com/paulligasphotography
Website: Paulligasvisualart.uk
Gallery: www.AlternativePhotography.com/paul-ligas/
Imperforate St John’s Wort (Hypericum maculatum) anthotype by Paul Ligas
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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