“Wild Grapevine” by Ingrid Forster, St. Catharines, Ontario, Canada
Parts used: The grape
Amount: ½ cup for each print
Extracted by: Mortar and pestle
Solvent: Distilled water (about 1 tbsp for every ½ cup of grapes)
Application: Brushing
Layers: 2
Substrate: Canson Watercolour paper, cold pressed, 300 gsm
Created with: Photogram made using pressed riverbank grape vine leaves
Exposure: 6-8 hours per day over 2 weeks in October, fall 2025
Temperature: 12-20° Celsius or 54-68° Fahrenheit
Humidity: 72% (average)
Contrast: ✿✿✿ (High)
Challenges or observations: Grapes picked in early fall produced a richer pigment than those from September – ripeness makes a big difference. Two generous coats applied with long, even strokes from a wide, soft brush worked best, with 3–4 hours drying time between coats. Thick watercolour paper handled the heavy emulsion well. When dry, the pigment forms a deep purple and creates high-contrast prints.
Additional information: Riverbank Grape closely resembles the toxic Canada Moonseed. Always confirm identification. The most distinguishing factor between the two plants is its seeds: Riverbank Grape will have between 1 and 6 egg or pear-shaped seeds, while Moonseed will have one crescent moon-shaped seed.
Instagram: @ingridforsterphotography
Website: www.ingridforsterphotography.com
Grape, riverbank (Vitis riparia) anthotype by Ingrid Forster
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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