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Cranberry viburnum (Viburnum trilobum) anthotype by Kathleen DiTanna

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“Wild Garlic” by Kathleen DiTanna, Holland, Pennsylvania, USA
Parts used: Berries
Amount: Approximately one and a half cups plus one teaspoon of water
Extracted by: Cooked in a crockpot for about 2 hours on high, mashed in a bowl with a potato masher, then strained through a coffee filter for about 2 hours
Thinner: 1 teaspoon of tap water
Application: Brushed on paper with a sponge brush

Cranberry viburnum (Viburnum trilobum) anthotype by Kathleen DiTanna Cranberry viburnum (Viburnum trilobum) anthotype by Kathleen DiTannaLayers: 2 coats of berry emulsion, drying between coats
Substrate: Berger COT, 160 gsm
Created with: Freshly cut wild garlic flowers
Exposure: 8-10 hours over 2 days in August 15-16, summer 2024
UV strength: 6-8
Temperature: 65-90° Fahrenheit
Humidity: average 65%
Contrast: ✿✿ (Medium)
Challenges or observations: The cranberry viburnum berries were so red, I assumed the emulsion would be very bright! Unfortunately, the emulsion was softer than I had anticipated. That could have been because I rushed the process, using the crockpot instead of boiling. I could have used three or more coats. I could have exposed the prints for one more day. Since this was my first time doing an anthotype, I am still very proud of what I did!
Additional information: I decided to use cranberry viburnum berries because the birds very rarely eat them in my garden. I have elderberry, arrowwood, grey dogwood, chokeberry and winterberry but the birds love these. What I didn’t expect was the odour! I guess that’s one of the reasons the birds prefer other berries!
Instagram @jardin_sun


 
 

This anthotype is part of World Anthotype Day

World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 is the first book in the series:
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022
Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022


Volume 2 is the second book:
Anthotype Emulsions, Volume 2 – The collective research from photogaphers on World Anthotype Day 2023
Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023


 
Volume 3 is the third book:
Anthotype Emulsions, Volume 3 – The collective research from photogaphers on World Anthotype Day 2024
Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
 

Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024


Volume 4 will be the fourth book:

In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
 

Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026


If you want to learn more about making anthotypes there is also the first "how-to" book:
Anthotypes – Explore the darkroom in your garden and make photographs using plantsMake prints using plants - an environmentally safe process!
 
The first book solely dedicated to Anthotypes.
 

Anthotypes – Explore the darkroom in your garden and make photographs using plants

9 of 10   Rated 9,8 - based on 224 votes

And also the Complete Guide and How-To book:
Anthotypes - The Complete Guide to Making Photographs with Plants and SunlightLearn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.
 
The extended and complete guide to Anthotypes.
 

Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight

 
If you are already practising anthotype printing, we suggest making notes to document and learn:
Anthotype Notes50 pre-defined pages for you to document your anthotype process.
 

Anthotype notes – Document your anthotype process

Free for Supporting Members - both new and exisiting!

10 of 10   Rated 10 - based on 8 votes

 
Looking for a good paper to use?
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The Massive Paper chart

by Christina Z. Anderson

85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.
 
Pure Inspiration = A cross between learning and inspiration
Pure Inspiration volume 2: Colour

Pure Inspiration #2: COLOUR

by Malin Fabbri

Discover how 140+ artists bring colour to traditionally monochrome processes. This book explores pigments, chemistry, layering, and experimentation through real working examples. Combines inspiration and learning!
 

Pure Inspiration volume 1

Pure Inspiration #1: COMPOSITES

by Malin Fabbri

A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!
 
Our 25th anniversary book
Art and Artists edition 2

Alternative Photography: Art and Artists, Edition 2

by Malin Fabbri

Step into a world where light, chemistry, and creativity collide. 137 artists push the boundaries of alternative photography, with processes like cyanotype, gum, and platinum printing to create unique, handcrafted images. They showcase their work, insights, and inspiration.
 

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