“10068” by Abel Schaminée, Arnhem, The Netherlands
Parts used: Petals, the blue-coloured segments of the corolla of the flower
Amount: 2 handfuls
Extracted by: Mortar
Thinner: Tap water and alcohol (70%) by feeling
Application: Brushing

Layers: 2 layers
Substrate: Watercolour paper
Created with: Positive on OHP paper of the 100,68 km wide plato crater of the moon. I took the photo with a wooden pinhole camera, I built myself. For constructing this camera, I manufactured pigments to make it lightproof. These pigments were based on iron and charcoal. The iron was extracted from iron nodules, collected in the field at the Veluwe. I heated these to 1,200° Celsius in a self-built clay oven and the charcoal was made of oak in the same oven. The photo was taken through the Meade 12-inch F10 telescope of the observatory Corona Borealis in Zevenaar.
Exposure: 2 weeks in July, summer 2024
Contrast: ✿✿ (Medium)
Challenges or observations: The petals of the flowers provided too little moisture. Therefore, I added more water and alcohol than usual to make an emulsion. As the petals provide the bright blue colour, I didn’t use other parts of the plants. Using a hake brush gave the best result for not seeing the strokes; bamboo paper did not work that well.
Website: www.abelschaminee.com
Cornflower, wild (Centaurea cyanus) anthotype by Abel Schaminée
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

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85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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