“Agatha” by Andrea Perrotat, Buenos Aires, Argentina
Parts used: Stem and leaves
Amount: 30 grams (10 gr each)
Extracted by: Soaking
Solvent: Alcohol 96 degrees
Application: Brushing
Walnut, black (Juglans nigra) anthotype by Francis Schanberger
“Apron #5” by Francis Schanberger, Dayton, Ohio, USA
Parts used: Hull of the black walnut
Amount: 250 mL
Extracted by: Soaking in water with added iron, rusty nails
Thinner: Tap water
Application: Brushing
Madagascar periwinkle / Rosy periwinkle (Catharanthus roseus) anthotype by Mónica Páez Espinosa
“Blue cotton” by Mónica Páez Espinosa, Ecuador (Galápagos islands)
Parts used: Petals
Amount: 4 handfuls
Extracted by: Mortar
Thinner: Alcohol, 10 mL 40% sugar cane
Application: Brush
Black turtle beans (Phaseolus vulgaris) anthotype by Cristina Zaletta
“Goose Walk” by Cristina Zaletta, North Vancouver, Canada
Parts used: Beans
Amount: 30 grams
Extracted by: Soaking the beans in a cool infusion
Thinner: Tap water
Application: Brushing
Sweet William (Dianthus barbatus) anthotype by Anne Kaplan
“So Sweet” by Anne Kaplan, Charlemont, MA, USA
Parts used: Petals
Amount: Approximately 1 tablespoon
Extracted by: Mortar
Thinner: Grain alcohol
Application: Brushing
Indigo milk cap mushroom (Lactarius indigo) anthotype by Kris Curtis Morse
“Natural Affinities: Monarda fistulosa (Wild bergamot)” by Kris Curtis Morse, Silver Spring, Maryland, USA
Parts used: Fruit body
Amount: One mushroom cap
Extracted by: Mortar
Thinner: Boiled tap water
Application: Brushing
Brown-eyed Susan (Rudbeckia triloba) anthotype by Donna Moore
“Diana’s Flowers” Donna Moore
Country: Blaine, Tennessee, USA
Parts used: Petals
Amount: Handful for each print
Extracted by: Mortar
Thinner: Isopropyl alcohol
Application: Brushing
Flame vine / Orange trumpetvine (Pyrostegia venusta) anthotype by Keila Knobel
“Old memories” by Keila Knobel
Country: Campinas, São Paulo, Brazil
Parts used: Petals
Amount: Handful for each print
Extracted by: Mortar
Thinner: Alcohol 70%
Application: Foam rod coating
Rose (Rosa “Santana“) anthotype by Ka.ma.su (nickname only)
“Portrait of a rose“ by Ka.ma.su (nickname only)
Country: Czech Republic
Parts used: Petals
Amount: Handful for each print
Extracted by: Soaking
Thinner: Tap water
Application: Brushing
Begonia, Rieger (Begonia x hiemalis) anthotype by Rhonda Lee Usipiuk
“Begonia Mom” by Rhonda Lee Usipiuk
Country: Victoria, British Columbia, Canada
Parts used: Petals and petal parts
Amount: Small handful
Extracted by: Tearing, snipping with scissors, and grinding with mortar & pestle
Thinner: One tablespoon cheap vodka
Application: Brushing with foam brush; left small bits of plant material in the emulsion
Mulberry, black (Morus nigra) anthotype by Jen Perena
“Mulberry Photogram” by Jen Perena
Country: Rochester, NY, USA
Parts used: Berries
Amount: Handful for each print
Extracted by: Mortar
Thinner: Alcohol (vodka, 40%)
Application: Brushing
Mix of Swiss chard (Beta vulgaris L. var. cicla) and Woad (Isatis tinctoria) anthotype by Milena Michalski
“Rolleiflex” by Milena Michalski
Country: London, UK
Parts used: Leaves, stem (Swiss chard); powder (woad)
Amount: 3 Swiss chard leaves with stem and 2 teaspoons of woad powder
Extracted by: Centrifuge
Thinner: Alcohol (vodka)
Application: Brushing
Phasey bean (Macroptilium lathyroides) anthotype by Keila Knobel
“Delicate activism”, by Keila Knobel
Country: Brazil
Parts used: The whole flower
Application: Brushing
Exposure time: 1 week
Month, season and year: July, winter, 2022
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Chocolate Cosmos (Cosmos atrosanguineus) anthotype by Kelly Barfoot
“Future Dreaming” by Kelly Barfoot
Country: UK
Parts used: Petals
Application: Brushed on
Exposure time: 2 weeks
Month, season and year: July, summer, 2022
Substrate: watercolour paper
Contrast of final print: ** (Medium)
Ora-pro-nóbis (Pereskia aculeata) anthotype by Rafael Marcon
“Pray for us” by Rafael Marcon
Country: Brazil
Parts used: Leaves
Application: Brushing
Exposure time: 4 hours
Month, season and year: July, Winter, 2022
Substrate: White Linen paper 180g
Contrast of final print: ** (Medium)