“Love Song” by Kasia Kalua Kryńska
Country: Poland
Parts used: Berries
Application: Brushing
Exposure time: 2 days
Month, season and year: August, summer, 2022
Substrate: Handmade paper
Contrast of final print: * (Low)
Walnut, English (Juglans regia) anthotype by Janos Bihari
“First attempt” by Janos Bihari
Country: Hungary (print made in UK)
Parts used: Unripe fruit
Application: Dipping
Exposure time: 5 hours
Month, season and year: May, 2020
Substrate: Copy paper
Contrast of final print: * (Low)
Amaranth (Amaranthus viridis) anthotype by Tina Tryforos
“Family Meal (1993/2022)” by Tina Tryforos
Country: USA
Parts used: Stems, flowers, leaves
Application: Brushed
Exposure time: 6 days
Month, season and year: August, Summer, 2022
Substrate: Stonehenge drawing paper
Contrast of final print: ** (Medium)
Cootamundra Wattle (Acacia baileyana) ‘Purpurea’ anthotype by Wendy Currie
“Spring anticipation” by Wendy Currie
Country: Australia
Parts used: Flowering pom poms
Application: Brushing
Exposure time: 3 days in sunny & overcast conditions
Month, season and year: August, early Spring 2022
Substrate: Arches aquarelle watercolour paper
Contrast of final print: ** (Medium)
Onion (Allium cepa) anthotype by Laure Martin
“Wings of hope” by Laure Martin
Country: France
Parts used: Peels
Application: Brushing
Exposure time: 1 week
Month, season and year: June, Spring, 2022
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Phasey bean (Macroptilium lathyroides) anthotype by Keila Knobel
“Delicate activism”, by Keila Knobel
Country: Brazil
Parts used: The whole flower
Application: Brushing
Exposure time: 1 week
Month, season and year: July, winter, 2022
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Turmeric (Curcuma longa) anthotype by Blueprint
“Caballo” (Horse) by Blueprint
Country: Spain
Parts used: Root powder
Application: Immersion
Exposure time: 96 hours
Month, season and year: August, Summer, 2017
Substrate: Watercolour paper, 280 g
Contrast of final print: ** (Medium)
Geranium (Pelargonium hortorum) anthotype by Malin Fabbri
“I hope we are in time” by Malin Fabbri
Country: Sweden
Parts used: Petals
Application: Brushing, using a foam brush
Exposure time: 2 days in part sun, part cloud
Month, season and year: August, Summer, 2022
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Algae, spirulina (Arthrospira jenneri) anthotype by Tania Valarezo
“Deep inside” by Tania Valarezo
Country: Ecuador
Parts used: Powder
Application: Brushing
Exposure time: 2 days
Month, season and year: June, Winter, 2020
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Turmeric (Curcuma longa L.) anthotype by Teodoro Katinis and Silvia Giardina
“Peace flower” by Teodoro Katinis and Silvia Giardina
Country: Italy
Parts used: Powder
Application: Brushing
Exposure time: 1 day
Month, season and year: August, summer, 2022
Substrate: Cheap watercolour paper (300 g)
Contrast of final print: * (Low)
Christmas Cactus (Schlumbergera) anthotype by Isabelle Goossens
“Even in war there is hope” by Isabelle Goossens
Country: Belgium
Parts used: Petals
Application: Brushing
Exposure time: 2 days
Month, season and year: April, Spring, 2022
Substrate: Watercolour paper
Contrast of final print: * (Low)
Onion (Allium cepa L.) + Spinach (Spinacia oleracea L.) + Others anthotype by Lukasz Biazik
“Anthop-pop” by Lukasz Biazik
Country: Poland
Plants used: 1. Onion (Allium cepa L.); 2. Spinach (Spinacia oleracea L.); 3. European blueberry (Vaccinium myrtillus L.) + 4. Beetroot (Beta vulgaris L.)
Parts used: 1. All; 2. Petals; 3. Berries; 4. Root
Application: brushing
Exposure time: 1. 2 days; 2. 2 days; 6. 3 days; 4. 3 days
Month, season and year: August, summer, 2022
Substrate: Watercolour paper
Contrast of final print: 1. ** (Medium); 2. * (Low); 3. x (Almost none); 4. ** (Medium)
Celadine Poppy (Stylophorum diphyllum) + Viola (Viola tricolor) anthotype by Christine Acebo
“Even Crows Hope” by Christine Acebo
Country: USA
Parts used: Petals
Application: Brushing
Exposure time: 4 days
Month, season and year: June, summer, 2022
Substrate: Canson Mixed Media Artboard
Contrast of final print: *** (High)
Turmeric (Curcuma longa L.) anthotype by Fruma Markowitz
“Four Moroccan Women” by Fruma Markowitz
Country: USA
Parts used: Powdered spice
Application: Brushing with foam brush
Exposure time: 1 day
Month, season and year: March, spring, 2021
Substrate: Watercolour paper
Contrast of final print: *** (High)
Petunia, Brooklyn (Petunia violacea) anthotype by Brittonie Fletcher
“I needed to get a little Lisa Frank on this” by Brittonie Fletcher
Country: USA (representing Scotland)
Parts used: Petals
Application: Sponge Brush
Exposure time: 3 days north light average UV 6 in New York, USA
Month, season and year: August, summer, 2022
Substrate: Moleskin paper
Contrast of final print: ** (Medium) (unsure on some – the moleskin paper I tried was a little ehhh)
Red cabbage (Brassica oleracea L. var. capitate f, rubra) + Turmeric (Curcuma longa) anthotype by Camila Mangueira
“The Anthotype as a Gesture of Hope” by Camila Mangueira
Country: Portugal but from Brazil
Parts used: Red cabbage leaves and Turmeric roots
Application: Pieces of cotton
Exposure time: 4 days.
Month, season and year: Ago, Summer, 2022
Substrate: Fabriano paper mixed media, 250 g
Contrast of final print: ** (Medium)
Black Grape (Vitis vinifera) + Geranium (pelarnonium) anthotype by Lökidore Laurence
“Love is Hope” by Lökidore
Country: France
Parts used: Grape skin and geranium petals
Application: Brushing
Exposure time: 3 days including 1 with sun and 2 with mixed weather
Month, season and year: August, summer, 2022
Substrate: Watercolour paper 300gr/m2.
Contrast of final print: ** (Medium)
Hierbamora / Black Nightshade, common (Solanum nigrum) anthotype by Ivonne Gutiérrez González
“Without title” by Ivonne Gutiérrez González
Country: Mexico
Parts used: Fruit
Application: Coating
Exposure time: 3 days
Month, season and year: October, autumn, 2021
Substrate: Watercolour paper
Contrast of final print: * (Low)
Woad (Isatis tinctoria) anthotype by Pam Du Val
“Hope” by Pam Du Val
Country: UK
Parts used: Leaves
Application: Brushing
Exposure time: 9 hours
Month, season and year: August, Summer, 2022
Substrate: Bristol board
Contrast of final print: *** (High)
Sweet Paprika, pimentón (Capsicum annuum) anthotype by Célica Veliz
“Clara’s House” by Célica Veliz
Country: Argentina
Parts used: Powder
Application: Brushing
Exposure time: 8 hours
Month, season and year: December, spring, 2021
Substrate: Cellulose watercolour paper (Schoeller Da Capo 300 g)
Contrast of final print: ** (Medium)