“El mar florece” by Sara Olivia Fuentes
Country: Chile
Parts used: Leaves and stem
Application: Rod
Exposure time: 5 hours
Month, season and year: November, Spring, 2021
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Algae, spirulina (Arthrospira jenneri) anthotype by Tania Valarezo
“Deep inside” by Tania Valarezo
Country: Ecuador
Parts used: Powder
Application: Brushing
Exposure time: 2 days
Month, season and year: June, Winter, 2020
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Blueberry (Vaccinium myrtillus) + Lupine (Lupinus Platycarpos) anthotype by Linda Maria Thompson
“Blomlandet from the anthotype book Återvändarna” by Linda Maria Thompson
Country: Sweden
Parts used: Petals, berries
Application: Dipping
Exposure time: 3-6 weeks
Month, season and year: July, Summer, 2017
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Beech, common (Fagus sylvatica) + Paprika, common (Capsicum annuum) anthotype by Chris G Smith
“Alternative Hope” by Chris G Smith
Country: UK
Plants used: Beech, common (Fagus sylvatica) mixed with a small amount of Paprika, common (Capsicum annuum)
Parts used: Leaves, powder
Application: Brushing
Exposure time: 4 hours
Substrate: August, Summer 2022
Substrate: Watercolour paper, 300 gsm
Contrast of final print: * (Low)
Skunk Cabbage (Symplocarpus foetidus) anthotype by Anne Eder
“Boneyard Creature” by Anne Eder
Country: USA
Parts used: leaves
Application: Brushing (foam brush followed by hake brush)
Exposure time: 2.5 hours
Month, season and year: August 2022
Substrate: Arches Platine
Contrast of final print: ** (Medium)
Woad (Isatis tinctoria) anthotype by Pam Du Val
“Hope” by Pam Du Val
Country: UK
Parts used: Leaves
Application: Brushing
Exposure time: 9 hours
Month, season and year: August, Summer, 2022
Substrate: Bristol board
Contrast of final print: *** (High)
Northern White Cedar (Thuja occidentalis) anthotype by Francis Schanberger
“Three Barbie Camisole Nightgowns” by Francis Schanberger
Country: USA
Parts used: Leaves
Application: Brushing
Exposure time: 56 minutes
Month, season and year: August, summer, 2022, noontime
Substrate: Heavyweight Fabriano Artistico Cold Press from the 1990’s, about 640 gsm coated with gesso.
Contrast of final print: ** (Medium)
Red Cabbage (Brassica oleracea, ver capitata f. rubra) anthotype by Kimberly Halyburton
“Rainbow” by Kimberly Halyburton
Country: Chile
Parts used: Leaves
Application: Brushing
Exposure time: 1 week
Month, season and year: Summer
Substrate: Watercolour paper (Fabriano artist 300 g)
Contrast of final print: ** (Medium)
Spinach (Spinacea oleracea) + Algae, spirulina (Arthrospira platensis) anthotype by Carmen Ayala
“Fruit of the light” by Carmen Ayala
Country: Spain
Parts used: Leaves
Application: Brushing
Exposure time: 8 hours
Month, season and year: July, summer, 2022
Substrate: Watercolor paper
Contrast of final print: *** (High)
Chard (Beta vulgaris) anthotype by Ivan Rivera
“Raramuri Girl” by Ivan Rivera
Country: Mexico
Parts used: Leaf
Application: Brushing
Exposure time: 3 days
Month, season and year: July, summer, 2022
Substrate: Cotton paper
Contrast of final print: ** (Medium)
Matcha (Camellia sinensis) anthotype by RJ Partington
“Abstract” by RJ Partington
Country: UK
Parts used: Powder
Application: Brushing
Exposure time: 12 hours
Month, season and year: August, Autumn, 2022
Substrate: Canon card
Contrast of final print: *** (High)
Winter Purslane (Claytonia perfoliata) anthotype by Genevieve Rudd
“Claytonia and Rose” by Genevieve Rudd
Country: UK
Parts used: Leaf and stem
Application: Brushing
Exposure time: 2 days
Month, season and year: March, spring, 2021
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Basil (Ocimum Basilicum) + Sicilian Snake Pumpkin (Lagenaria Siceraria) anthotype by Alessia Siragusa
“Reviving Hope” by Alessia Siragusa
Country: Italy
Parts used: Leaves
Application: Brushing
Exposure time: Basil: 4 days / Sicilian Snake Pumpkin:2 days
Month, season and year: August, summer 2022
Substrate: Fabriano Artistico watercolour paper
Contrast of final print: ** (Medium)
Watercress (Nasturtium officinale) anthotype by Carolina Carmini
“A Green City” by Carolina Carmini
Country: Brazil
Parts used: Leaves
Application: Cotton swabs
Exposure time: 8 hours
Month, season and year: August, winter, 2022
Substrate: watercolour paper
Contrast of final print: *** (High)
Algae, spirulina (Spirulina maxima) anthotype by Marion Sidebottom
“Walk of Hope” by Marion Sidebottom
Country: UK
Parts used: Powder
Application: Brushing
Exposure time: 2 days
Month, season and year: August, Summer, 2022
Substrate: Hannemuhle Platinum Rag 300 gsm
Contrast of final print: ** (Medium)
Spinach (Spinacia oleracea) anthotype by Teresa Guxens
“Hope in a green future” by Teresa Guxens
Country: Spain
Parts used: Spinach leaves
Application: Brushing
Exposure time: 3 days
Month, season and year: July, Summer, 2022
Substrate: Canson multi-tecnica paper 300
Contrast of final print: *** (High)
Spinach (Spinacia oleracea) anthotype by Émilie Léger
“Dan by the Salem shores” by Émilie Léger
Country : Canada
Parts used: Leaves
Application: Brushing
Exposure time: About 3 hours cloudy (between 8 am and 11 am) – about 30 minutes; sunny (between 11 am and 11:30 am)
Month, season and year: August, Summer, 2022
Substrate: Arches watercolour paper
Contrast of final print: ** (Medium)
English Cucumber (Cucumis sativus) anthotype by Ralph Rinke
“Stack of Chips” by Ralph Rinke
Country: Canada
Parts used: Cucumber skin (hothouse/greenhouse)
Application: Brushing with a foam brush
Exposure time: 3 hours 45 minutes – during mid day and high sun
Months, season and year: Summer, July 2022
Substrate: Stonehenge White cotton rag – 250 gsm
Contrast of final print: *** (High)
Algae, spirulina (Spirulina maxima) anthotype by Dennis Humphrey
“Hope for Life” by Dennis Humphrey
Country: Canada
Parts used: Powder
Application: Brushing
Exposure time: 4 days in bright sunlight
Months, season and year: June, Summer, 2022
Substrate: Hannemühle Platinum Rag (300 gsm, cotton rag)
Contrast of final print: ** (Medium)