Anthotype Day 2022 Archives - AlternativePhotography.com

Anthotype Emulsions, Volume 1

by Malin Fabbri The first book in the series from World Anthotype Day Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022. “Dedicated artists from all over the world experiment and contribute their valuable discoveries page by page. The beauty is alluring, and the possibilities are endless.” Peter J. Blackburn. $12.00 Download eBook (PDF) directly. $18.00 Buy eBook (PDF for Kindle) from Amazon … Read more

Rowanberry (Sorbus aucuparia L.) anthotype by Kasia Kalua Kryńska

“Love Song” by Kasia Kalua Kryńska
Country: Poland
Parts used: Berries
Application: Brushing
Exposure time: 2 days
Month, season and year: August, summer, 2022
Substrate: Handmade paper
Contrast of final print: * (Low)

English walnut, unripe (Juglans regia) anthotype by Janos Bihari

Walnut, English (Juglans regia) anthotype by Janos Bihari

“First attempt” by Janos Bihari
Country: Hungary (print made in UK)
Parts used: Unripe fruit
Application: Dipping
Exposure time: 5 hours
Month, season and year: May, 2020
Substrate: Copy paper
Contrast of final print: * (Low)

Turmeric (Curcuma longa) anthotype by Alina Vuxanovici

“Delicate” by Alina Vuxanovici
Country: Romania
Parts used: Powder
Application: Brushing
Exposure time: 2.5 hours
Month, season and year: August, Summer, 2022
Substrate: Watercolour paper
Contrast of final print: * (Low)

Amaranth (Amaranthus viridis) anthotype by Tina Tryforos

“Family Meal (1993/2022)” by Tina Tryforos
Country: USA
Parts used: Stems, flowers, leaves
Application: Brushed
Exposure time: 6 days
Month, season and year: August, Summer, 2022
Substrate: Stonehenge drawing paper
Contrast of final print: ** (Medium)

Spinach (Spinacia oleracea) anthotype by Sara Olivia Fuentes

“El mar florece” by Sara Olivia Fuentes
Country: Chile
Parts used: Leaves and stem
Application: Rod
Exposure time: 5 hours
Month, season and year: November, Spring, 2021
Substrate: Watercolour paper
Contrast of final print: ** (Medium)

Cootamundra Wattle (Acacia baileyana) ‘Purpurea’ anthotype by Wendy Currie

“Spring anticipation” by Wendy Currie
Country: Australia
Parts used: Flowering pom poms
Application: Brushing
Exposure time: 3 days in sunny & overcast conditions
Month, season and year: August, early Spring 2022
Substrate: Arches aquarelle watercolour paper
Contrast of final print: ** (Medium)

Onion (Allium cepa) anthotype by Laure Martin

“Wings of hope” by Laure Martin
Country: France
Parts used: Peels
Application: Brushing
Exposure time: 1 week
Month, season and year: June, Spring, 2022
Substrate: Watercolour paper
Contrast of final print: ** (Medium)

Ashoka tree (Saraca asoca) +2 other anthotype by Archana Verma Kakar

Arjuna tree (Terminalia Arjuna) + Others anthotype by Archana Verma Kakar

“Epiphany” by Archana Verma Kakar
Country: India
Plants used: Turmeric, Onion skins, and my homemade brown ink from the Arjuna tree
Parts used: Flowers
Application: Brushing
Exposure time: 5 hours
Month, season and year: August, summer 2022
Substrate: Bustro 300gsm Watercolour paper (25 percent cotton)
Contrast of final print: ** (Medium)

Phasey bean (Macroptilium lathyroides) anthotype by Keila Knobel

“Delicate activism”, by Keila Knobel
Country: Brazil
Parts used: The whole flower
Application: Brushing
Exposure time: 1 week
Month, season and year: July, winter, 2022
Substrate: Watercolour paper
Contrast of final print: ** (Medium)

Turmeric (Curcuma longa L.) anthotype by Dalene Marais

“Hope from Africa with love” by Dalene Marais
Country: South Africa
Parts used: Powder
Application: Brushing
Exposure time: 8 hours in SA sun (UV 6 out of 10)
Month, season and year: August, Winter, 2022
Substrate: Rough watercolour paper 300 g
Contrast of final print: * (Low)

Turmeric (Curcuma longa) anthotype by Blueprint

“Caballo” (Horse) by Blueprint
Country: Spain
Parts used: Root powder
Application: Immersion
Exposure time: 96 hours
Month, season and year: August, Summer, 2017
Substrate: Watercolour paper, 280 g
Contrast of final print: ** (Medium)

Geranium (Pelargonium hortorum) anthotype by Malin Fabbri

“I hope we are in time” by Malin Fabbri
Country: Sweden
Parts used: Petals
Application: Brushing, using a foam brush
Exposure time: 2 days in part sun, part cloud
Month, season and year: August, Summer, 2022
Substrate: Watercolour paper
Contrast of final print: ** (Medium)

Algae, spirulina (Arthrospira jenneri) anthotype by Tania Valarezo

“Deep inside” by Tania Valarezo
Country: Ecuador
Parts used: Powder
Application: Brushing
Exposure time: 2 days
Month, season and year: June, Winter, 2020
Substrate: Watercolour paper
Contrast of final print: ** (Medium)

Strawberry (Fragaria x ananassa) anthotype by Astrid Robertsson

“Fragile” by Astrid Robertsson
Country: Switzerland
Parts used: Stem and leaves
Application: Foam brush
Exposure time: 3-4 hours.
Month, season and year: July, Summer 2022.
Substrate: Bergger 100% cotton (non-sensitized paper for alternative processes)
Contrast of final print: ** (Medium)

Blueberry (Vaccinium myrtillus) + Lupine (Lupinus Platycarpos) anthotype by Linda Maria Thompson

“Blomlandet from the anthotype book Återvändarna” by Linda Maria Thompson
Country: Sweden
Parts used: Petals, berries
Application: Dipping
Exposure time: 3-6 weeks
Month, season and year: July, Summer, 2017
Substrate: Watercolour paper
Contrast of final print: ** (Medium)

Beetroot (Beta vulgaris) anthotype by David Silk

“Dream” by David Silk
Country: UK
Parts used: Root
Application: Brushing
Exposure time: 4 hours
Month, season and year: August, summer, 2022
Substrate: Watercolour paper
Contrast of final print: ** (Medium)

Turmeric (Curcuma longa L.) anthotype by Teodoro Katinis and Silvia Giardina

“Peace flower” by Teodoro Katinis and Silvia Giardina
Country: Italy
Parts used: Powder
Application: Brushing
Exposure time: 1 day
Month, season and year: August, summer, 2022
Substrate: Cheap watercolour paper (300 g)
Contrast of final print: * (Low)

Blueberry, wild from Maine (Vaccinium angustifolium) anthotype by DM Witman

“Mourning” by DM Witman
Country: USA
Parts Used: Fruit
Application: Foam Brush
Exposure Time: 3 months
Month, season, year: Winter through a window in Maine
Substrate: Arches Platine
Contrast of final print: ** (Medium)

Christmas Cactus (Schlumbergera) anthotype by Isabelle Goossens

“Even in war there is hope” by Isabelle Goossens
Country: Belgium
Parts used: Petals
Application: Brushing
Exposure time: 2 days
Month, season and year: April, Spring, 2022
Substrate: Watercolour paper
Contrast of final print: * (Low)

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