“Basil” by Caroline Roberts, Houston, Texas, USA
Parts used: Leaves
Amount: Two handfuls of loose leaves
Extracted by: Mortar
Thinner: Vodka
Application: Brushing
Layers: 4
Substrate: Watercolour paper
Created with: Photogram of basil leaves
Exposure: 2 days in August, summer 2024
UV strength: 8-10
Temperature: In the 90s Fahrenheit
Humidity: 70-100%
Contrast: ✿✿ (Medium)
Challenges or observations: The leaves for the photogram shrivelled quickly in the heat and I noticed that the best, greener areas, are under doubled areas of leaves. I also think that the fresh leaves imparted, or helped, the colour to remain in these areas.
Additional information: The basil in my garden was getting overgrown, what better way to use a lot while encouraging fresh, new leaves? I used vodka rather than rubbing alcohol because I was using the mortar I use for cooking so all ingredients of this anthotype needed to be edible! The resulting mix reminded me of a gin and basil cocktail I once had and nicknamed “pond water” so I may use gin next time just for the fun of it!
I also tried Safflower (dried ‘bastard’ saffron) with a transparency but there is little contrast. I will try it again with more safflower and a photogram to see if the issue is the solution or the transparency.
Instagram: @carolinesroberts
Website: www.carolinesroberts.com
Gallery: www.AlternativePhotography.com/caroline-roberts/
Basil (Ocimum basilicum) anthotype by Caroline Roberts
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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