Alternative Photography: Art and Artists, Edition I

115 artists working with albumen, anthotype, argyrotype, carbon, chrysotype, cyanotype, bromoil, gum bichromate, gumoil, infrared, kallitype, platinum/palladium, photogravure, polaroid lift, transfer and sx-70, salt print, temperaprint, vandyke, wet plate collodion, ziatype and other alternative photographic processes.

Edited by Malin Fabbri

  Buy “Art and Artists, Edition I” here – published by

Alternative Photography: Art and Artists, Edition I

“It’s not only beautifully produced with high quality reproductions of the images and a clean layout, but is filled with a panoply of alternative processes, some of which I’ve never seen before. A truly inspiring book and a great resource.”

Wendy Currie, photographic artist & workshop teacher.

10 of 10
Rated 9,97 – based on 257 votes

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A book of information and inspiration – for yourself or a friend you would like to inspire! Perfect on any coffee table.

About the book

Art and Artists front coverAlternative Photography: Art and Artists, Edition I highlights the work of over 100 of today’s most active photographers working with alternative processes. Discover how the different processes create a unique look in a print, and get an insight into how the processes function. Here you will find both information and inspiration. Artists introduce themselves, their work and why they chose the qualities of that particular process.

From the introduction:

Art and Artists book inside spreadToday, when we have the technology to take the “perfect” photograph, freezing a moment exactly as it is, and are able to print it in minutes, many photographers take a step into the world of alternative processes. It may be out of curiosity about how chemistry can bind a moment of time to the fibres in the paper. It may be out of the joy of making something by hand, from start to finish. It may be the delight of seeing an image emerging on paper floating in the developer bath. Or, it may be that a specific process embodies a unique texture, enhancing the idea or expression of the artist. The reasons for choosing to work in a specific alternative process are many and varied, but whatever the reason is, the journey there is often an enriching experience.

The interest in this book was bigger than I could have dreamt of. Over half of the artists represented on have participated (at the time of printing). Over 14 Gigabytes of pixels have been downloaded over the wires, in almost 1000 emails. I am now on a first-name basis with the postman (postwoman actually!), who turned up with stacks of letters every day, especially in the last two weeks before the deadline.

Each of the artists here has included a little about themselves, their work and their choice of process. The images are a great inspiration. A wide variety of processes, concepts and ideas can be found here. To me, that too is pure inspiration, and that is the purpose of this book – to inspire.

Inside Art and Artists, edition 1:

Art and Artists, edition 1

There are over 100 artists represented in Art and Artists edition 1
There are 115 artists represented in Art and Artists, Edition 1
Each artists is presented on a spread where they talk about their art and why they choose the specific process they work in. On this spread: Christina Z. Anderson
Each artist is presented on a spread where they talk about their art and why they choose the specific process they work in. On this spread: Christina Z. Anderson
Nancy Breslin
Nancy Breslin
Robert A. Schaefer Jr.
Robert A. Schaefer Jr.

About the editor

Malin Fabbri grew up in Sweden, and in her early twenties moved to London to study. She earned an M.A. in Design at Central St. Martin’s School of Design, but publishing her thesis felt more like a beginning than an end. Malin decided to combine her academic and practical experience and started in 2000. The website still maintains its origins as a source of information and research for alternative photographic processes and represents almost 400 artists. Malin actively manages the expansion of the site as editor. She researches alternative photographic processes, makes her own prints and runs workshops. Malin has also worked professionally with big media names like Time magazine and CNBC Europe. Malin is the co-author of Blueprint to cyanotypes and From pinhole to print, the editor of the alternative photography art book Alternative Photography: Art and Artists, Edition I representing 115 artists working in alternative photographic processes, and the author of Blueprint to cyanotypes – Exploring a historical alternative photographic process,  a beginners book on cyanotypes, Anthotypes – Explore the darkroom in your garden and make photographs using plants, which is the only book dedicated to the anthotype process, Anthotype Emulsions, Volume 1 which contains the anthotype research of 100 artists from World Anthotype Day, and creator of two notebooks Anthotype notes – Document your anthotype process and Cyanotype notes – Document your cyanotype process which is this notebook. She has a strong interest in all alternative processes. Malin now lives and works in Stockholm, Sweden and has two sons, Maximillian and Ruben.

Feedback on “Art and Artists”

The only published resource of its kind, Alternative Photography: Art and Artists, Edition I represents the forefront of a worldwide movement of individuals who have retaken control of photographic printing and imagery. The vibrant re-emergence of the laboratory/wet processing subculture alongside the digital darkroom is set to influence aesthetic and critical sensibilities throughout the art world. The art and artists series has come at precisely the right moment.”

Paul Daskarolis, Editor, Siderotype Quarterly.

“I got my book, and it’s such a wonderful resource for when I teach alternative processes!”

Nancy A. Breslin.

“WOW! Nicely done. The book has inspired me to try other alternative process photography.”

Jane Linders.

“I look forward to using this excellent book as a source of inspiration for my advanced photography students.”

Scott Wittenburg, Advanced photography teacher, Upper Arlington High School.

“It arrived quickly and is absolutely wonderful.”

Kris Haggblom.

“I bought the book and its great. It’s a different experience to look at pictures in your hand then looking at them on a web site. My students have really enjoyed the book as well. It’s a fine product.”

Chris Peregoy, Teacher of photography, University of Maryland Baltimore County (UMBC).

“You did a wonderful job! You end your newsletter with “get inspired”, well, all though I do my alternative processes for many years, I’m truly inspired by it.”

Jan van Leeuwen, photographer.

“It exceeded my expectations, Thanks!”

Suzanne Guinee, photographer.

“I really like the variety of content and the photographs are reproduced at a nice size for viewing. I do like the book very much and will use it as a reference in addition to the website to become inspired.”

Mike Shipman, photographer.

“The concept and content are exceptional. You have brought together both the technical description and the personal motivation of each artist working in a particular alt process. The styles of work represented, from traditional to experimental and everything in between, mixed within every conceivable process. I feel the book will become an important resource in our field (and for anyone with an interest in photographs), where else can you see this much work in so many different processes, working styles and get personal insight from each artist about their work.”

Edward Carpenter, Photographer.

“While nothing beats seeing the work in real life the book provides an excellent resource for all of us in terms of the variety and depth of work being done in alternative processes.”

Hamish Stewart, photographer.

“It’s not only beautifully produced with high-quality reproductions of the images and a clean layout, but is filled with a panoply of alternative processes, some of which I’ve never seen before. A truly inspiring book and a great resource.”

Wendy Currie, photographic artist & workshop teacher.

“The layout and design of the book is very presentable. It is good to see what other photographers are doing with thee processes and the standard of work, they are achieving.”

Lynette Zeeng, Photographer/Lecturer.

“I am a collector of first edition books and will only purchase the book if it qualifies with the standards below in the text, believe me yours does! I was very worried when you talked about on-demand printing but was pleasantly surprised when the books arrived.”

Dennis da Silva, Director and owner, Silvertone.

“I have really enjoyed the book, and I will be showing it to students when I teach alternative processes. The layout and cover are clean and professional, and the variety and overall quality of work inside is so high.”

Nancy Breslin, Art Instructor, University of Delaware.

“The book is an absolute credit to you. I am impressed with the layout – the quality of the printing and the reproduction of the book”

Ellie Young, Photographer, Gold Street Studios.

“I was really surprised and happy about the picture quality of the print and to see so much and excellent photography from all the artists. All in all: I have the book, I’m happy, fascinated, inspired and would like to thank you for all this great work!”

Tobias Ott.

“It is a beautiful book, very nicely done and one to be quite proud of. It is a great sampling of artists.”

Kathy Wismer.

Impressive range of work, and a welcome sampling from many countries. It is an inspiring book.”

Nick Klimaszewski.

I love the book. It is a wonderful thing you have made for the world. What an undertaking and may it be a success. You rock girl.”

Crystal Jackson, Photographer.

“I finally got a copy of the beautiful Arts and Artist coffee table book. It is most elegant and very unique. The quality is superior and of course, the contents are marvelous! It does inspire, and with that, Congratulations to you and everyone who made this huge project possible. Great job!!! Rated 10 of 10.”

Allan Razo.

“Art and Artists is an excellent summary of the work of practitioners of alternative processes.”

Gene Bagdonas.

“The gallery on the website is such a useful source of information about the work of alternative photographers, but the work really needs to be on paper. And on the bookshelf, as a reference.”

Robert Hoare.

“Very unique book, as a teacher my students love it and derive great inspiration from it. It encourages them to experiment and push the limits of conventional photography and also to get back into the darkroom and produce unique work.”


Artists represented in the book:

  • Edwardo Aites
  • Alexei Alexeev
  • Christina Z Anderson
  • Gary Auerbach
  • Philippe Ayral
  • Dan Bandel
  • Harvey Bernstein
  • Ivy Bigbee
  • Diana Bloomfield
  • Nancy Breslin
  • Claudia Bruno
  • Derrick Busch
  • Lee Edward Carpenter
  • Alain Carrillo
  • Linda Cartridge
  • Antonio Carlos M M Carvalho
  • Gustavo Castilla
  • Alfonso de Castro
  • David Chambers
  • Alex Chater
  • Anita Chernewski
  • Hellena Cleary
  • Kate Cleghorn
  • Walter Crump
  • Wendy Currie
  • Dennis da Silva
  • Louise Daddona
  • Jean Daubas
  • Jerome Deppe
  • Hans van Erp
  • Gary Fabbri
  • Malin Fabbri
  • Peter Fredrick
  • Amy Holmes George
  • Lloyd Godman
  • Tess Edwards
  • A Elizabeth Graves
  • Kevin Gray
  • Suzanne Guinee
  • Carol Gula
  • Peter W Haas
  • Kris Haggblom
  • Robert Hoare
  • Steve Hoglund
  • Elizabeth J Holmes
  • Susan Huber
  • Roy Inman
  • Juan Manuel Ipiña
  • Crystal Jackson
  • Christina Joch
  • Jan Kapoor
  • Sandy King
  • Nicolai Klimaszewski
  • Stanislav Koˇcar
  • Karl P Koenig
  • Kerik Kouklis
  • Stephan Krines
  • Neila Kun
  • Matthew L Larkin
  • Wendy Lastovica
  • Robert Lawhead
  • Jan van Leeuwen
  • Jane Linders
  • Tina Maas
  • Barbara Maloney
  • Che Mambong
  • Janet Matthews
  • Marek Matusz
  • Ruediger Merz
  • Jared Millar
  • Neil Miller
  • Kate Mocak
  • Karen Molloy
  • Alan Mynett
  • Eric Neilsen
  • Karen Nichols
  • Tobias Ott
  • Heinz Peter Posselt
  • Sara Prindiville
  • Renata Ratajczyk
  • Allan Z Razo
  • Martin Helmut Reis
  • Ralph Rinke
  • Mark Roberts
  • Davide Rossi
  • Tim Rudman
  • Robert A Schaefer Jr
  • Madeleine Shepherd
  • Mike Shipman
  • Hamish Stewart
  • Anne Storm van Leeuwen
  • Henrieke I Strecker
  • Rebecca Szatkowski
  • Donna Hamil Talman
  • Grace Taylor
  • Henk Thijs
  • Tom Thompson
  • Vadim Tolstov
  • Sera Trimble
  • Spiffy Tumbleweed
  • Alex Tymków
  • Jacqueline Van Fossen
  • Sarah Van Keuren
  • Marydorsey Wanless
  • Mike Ware
  • Wynn White
  • Peter Wiklund
  • Günther Wilhelm
  • Kathy Wismer
  • Scott Wittenburg
  • Bill Wolfe
  • Witho Worms
  • Christopher A Wright
  • Lars Göran Yeudakimchikov-Malmquist
  • Ellie Young
  • Lynette Zeeng
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2 thoughts on “Alternative Photography: Art and Artists, Edition I”

  1. Dear Malin

    Given that the book contains work by a number of my students, I would have been happy to have contrbuted.


  2. I have gain some wonderful inspiration from this book and have now purchased the cyanotype book. I photograph all of my husbands artworks and would like to use some alternative printing processes to make some fine art prints of his work. This book and website have been a good guide to direct me. Thank you!

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