Find emulsions by browsing the list below. This Anthotype database of emulsions will grow each year on Anthotype Day when artists add to the knowledge-bank. If you can, please support this free resource by becoming a supporting member or making a donation. Much appreciated!
Emulsions from WAD 2022 | List of all emulsions 2022-2023
All anthotype emulsions A-Z from 2022
African Lily (Agapanthus africanus) anthotype by Anna Leigh Clem
“Looking Up (on Agapanthus)” by Anna Leigh Clem
Country: USA
Parts used: Petals
Application: Brushing
Exposure time: 8 days
Month, season and year: July, summer, 2020
Substrate: Watercolor paper
Contrast of final print: ** (Medium)
Algae, spirulina (Arthrospira jenneri) anthotype by Tania Valarezo
“Deep inside” by Tania Valarezo
Country: Ecuador
Parts used: Powder
Application: Brushing
Exposure time: 2 days
Month, season and year: June, Winter, 2020
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Algae, spirulina (Spirulina maxima) anthotype by David Lowe
“Future Hopes and Friendships” by David Lowe
Country: UK
Parts used: Liquid blue food colouring
Application: Brushing with a foam brush
Exposure time: 6 hours in hot sunshine
Month, season and year: July, Summer 2022
Substrate: Hahnemuhle watercolour paper 300 gsm hot pressed
Contrast of final print: ** (Medium)
Algae, spirulina (Spirulina maxima) anthotype by Dennis Humphrey
“Hope for Life” by Dennis Humphrey
Country: Canada
Parts used: Powder
Application: Brushing
Exposure time: 4 days in bright sunlight
Months, season and year: June, Summer, 2022
Substrate: Hannemühle Platinum Rag (300 gsm, cotton rag)
Contrast of final print: ** (Medium)
Algae, spirulina (Spirulina maxima) anthotype by Marion Sidebottom
“Walk of Hope” by Marion Sidebottom
Country: UK
Parts used: Powder
Application: Brushing
Exposure time: 2 days
Month, season and year: August, Summer, 2022
Substrate: Hannemuhle Platinum Rag 300 gsm
Contrast of final print: ** (Medium)
Amaranth (Amaranthus viridis) anthotype by Tina Tryforos
“Family Meal (1993/2022)” by Tina Tryforos
Country: USA
Parts used: Stems, flowers, leaves
Application: Brushed
Exposure time: 6 days
Month, season and year: August, Summer, 2022
Substrate: Stonehenge drawing paper
Contrast of final print: ** (Medium)
Anthotype Emulsions, Volume 1

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022.
“Dedicated artists from all over the world experiment and contribute their valuable discoveries page by page. The beauty is alluring, and the possibilities are endless.”
$12.00 | Download eBook (PDF) directly. | |
$15.00 | Buy eBook (PDF for Kindle) from Amazon Kindle. | Buy from Amazon.com Kindle More marketplaces: UK Germany France Spain Italy Netherlands Japan Brazil Canada Australia India |
$20.00 | Best paperback option. | Buy from Lulu ($20 / €20 / £20 / 26 AUD / 24 CAD) Print quality is slightly better than Amazon |
$20.00 | Also available from Amazon. | Buy from Amazon.com More marketplaces: UK Germany France Spain Italy Netherlands Polen Sweden Canada |
$30.00 | Best hardback option. | Buy from Lulu ($30 / €30 / £30 / 38 AUD / 36 CAD) |
More buying options:
In the press: In Silvergrain Classics Issue #17, Winter 2022:
Read the Review of Anthotypes Emulsions, Volume 1: “Consider this book as a springboard to immediately and easily propel you into the world of anthotypes with a minimum of equipment, time, and expense. Others will find the book a resource to build upon…”
Learn from the collective experience from World Anthotype Day.
- Publisher: AlternativePhotography.com (October 2022)
- View table of contents
- Press release
Paperback format on Amazon Kindle:
- Format: Paperback, 82 pages, full colour
- Size: 20.3 x 25.4 cm or 8×10 inches
- ISBN: 979-8358167308
Paperback format on Lulu
- Format: Paperback, 82 pages, full colour
- Size: 21.6 x 27.9 cm or 8,5×11 inches
E-book format here on AlternativePhotography.com:
- Format: PDF, 82 pages, full colour
- Size: 20.3 x 25.4 cm or 8×10 inches
- Format: 8×10 inches
- Publisher: AlternativePhotography.com (2022)
About the anthotype emulsions book
On Saturday the 20th of August 2022 the World’s FIRST EVER Anthotype Day took place, initiated and facilitated by a small team at AlternativePhotography.com.
Over 100 artists from all over the globe sent in their anthotypes and research notes of prints made from plants, powders or dyes. The collective research gathered on the day has been compiled in this book covering 60 plants: African Lily, Algae / Spirulina, Amaranth, Arjuna tree, Basil, Beach Rose, Beech, Beetroot, Black Grape, Black Raspberry, Blackberry, Blackcurrant, Blueberry, Bougainvillea, Butterfly Pea, Celadine Poppy, Chard, Cherry, Chocolate Cosmos, Christmas Cactus, Coffee, Cootamundra Wattle, Dahlia, Eastern Red Columbine, English Cucumber, Geranium, Hardy Hibiscus, Hierbamora / Black Nightshade, Kembang Telang, Marigold, Matcha, Moss-Rose Purslane, Northern White Cedar, Oak Apple, Onion, Ora-pro-nóbis, Paprika, Pau Brasil, Petunia, Phasey bean, Pokeberry, Poppy, Raspberry, Red cabbage, Red Pepper, Rose Madder or Dyer’s Madder, Rowanberry, Royal Grape, Skunk Cabbage, Spinach, Strawberry, Sunflower, Sweet Paprika, Turmeric, Violet, Walnut, Watercress, Winter Purslane, Woad and Yerba Mate.
Next time you want to know if a plant can be used to make an anthotype, just look it up – or use the book as inspiration to try something new.
About the editor
Malin Fabbri grew up in Sweden, and in her early twenties moved to London to study. She earned an M.A. in Design at Central St. Martin’s School of Design, but publishing her thesis felt more like a beginning than an end. Malin decided to combine her academic and practical experience and started AlternativePhotography.com in 2000. The website still maintains its origins as a source of information and research for alternative photographic processes and represents almost 400 artists. Malin actively manages the expansion of the site as editor. She researches alternative photographic processes, makes her own prints and runs workshops. Malin has also worked professionally with big media names like Time magazine and CNBC Europe. Malin is the co-author of Blueprint to cyanotypes and From pinhole to print, the editor of the alternative photography art book Alternative Photography: Art and Artists, Edition I representing 115 artists working in alternative photographic processes, and the author of Blueprint to cyanotypes – Exploring a historical alternative photographic process, a beginners book on cyanotypes, Anthotypes – Explore the darkroom in your garden and make photographs using plants, which is the only book dedicated to the anthotype process, Anthotype Emulsions, Volume 1 which contains the anthotype research of 100 artists from World Anthotype Day, and creator of two notebooks Anthotype notes – Document your anthotype process, and Cyanotype notes – Document your cyanotype process. She has a strong interest in all alternative processes. Malin now lives and works in Stockholm, Sweden and has two sons, Maximillian and Ruben.






Artists in the book
The list of artists represented in this book can be seen in the World Anthotype Day 2022 gallery.
Anthotype emulsions
The book contains research on 60 emulsions:
- African Lily
- Algae / Spirulina
- Amaranth
- Arjuna tree
- Basil
- Beach Rose
- Beech
- Beetroot
- Black Grape
- Black Raspberry
- Blackberry
- Blackcurrant
- Blueberry
- Bougainvillea
- Butterfly Pea
- Celadine Poppy
- Chard
- Cherry
- Chocolate Cosmos
- Christmas Cactus
- Coffee
- Cootamundra Wattle
- Dahlia
- Eastern Red Columbine
- English Cucumber
- Geranium
- Hardy Hibiscus
- Hierbamora / Black Nightshade
- Kembang Telang
- Marigold
- Matcha
- Moss-Rose Purslane
- Northern White Cedar
- Oak Apple
- Onion
- Ora-pro-nóbis
- Paprika
- Pau Brasil
- Petunia
- Phasey bean
- Pokeberry
- Poppy
- Raspberry
- Red cabbage
- Red Pepper
- Rose Madder or Dyer’s Madder
- Rowanberry
- Royal Grape
- Skunk Cabbage
- Spinach
- Strawberry
- Sunflower
- Sweet Paprika
- Turmeric
- Violet
- Walnut
- Watercress
- Winter Purslane
- Woad
- Yerba Mate
Anthotype Emulsions, Volume 1

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022.
“Dedicated artists from all over the world experiment and contribute their valuable discoveries page by page. The beauty is alluring, and the possibilities are endless.”
$12.00 | Download eBook (PDF) directly. | |
$18.00 | Buy eBook (PDF for Kindle) from Amazon Kindle. | Buy from Amazon.com Kindle More marketplaces: UK Germany France Spain Italy Netherlands Japan Brazil Canada Australia India |
$20.00 | Best paperback option. | Buy from Lulu ($20 / €20 / £20 / 26 AUD / 24 CAD) Print quality is slightly better than Amazon |
$20.00 | Also available from Amazon. | Buy from Amazon.com More marketplaces: UK Germany France Spain Italy Netherlands Polen Sweden Canada |
$30.00 | Best hardback option. | Buy from Lulu ($30 / €30 / £30 / 38 AUD / 36 CAD) |
More buying options:
In the press: In Silvergrain Classics Issue #17, Winter 2022:
Read the Review of Anthotypes Emulsions, Volume 1: “Consider this book as a springboard to immediately and easily propel you into the world of anthotypes with a minimum of equipment, time, and expense. Others will find the book a resource to build upon…”
Learn from the collective experience from World Anthotype Day.
- Publisher: AlternativePhotography.com (October 2022)
- View table of contents
- Press release
Paperback format on Amazon Kindle:
- Format: Paperback, 82 pages, full colour
- Size: or 8×10 inches or 20.3 x 25.4 cm
- ISBN: 979-8358167308
Paperback format on Lulu
- Format: Paperback, 82 pages, full colour
- Size: 8,5×11 inches or 21.6 x 27.9 cm
E-book format here on AlternativePhotography.com:
- Format: PDF, 82 pages, full colour
- Size: 8×10 inches or 20.3 x 25.4 cm
- Publisher: AlternativePhotography.com (2022)
About the anthotype emulsions book
On Saturday the 20th of August 2022 the World’s FIRST EVER Anthotype Day took place, initiated and facilitated by a small team at AlternativePhotography.com.
Over 100 artists from all over the globe sent in their anthotypes and research notes of prints made from plants, powders or dyes. The collective research gathered on the day has been compiled in this book covering 60 plants: African Lily, Algae / Spirulina, Amaranth, Arjuna tree, Basil, Beach Rose, Beech, Beetroot, Black Grape, Black Raspberry, Blackberry, Blackcurrant, Blueberry, Bougainvillea, Butterfly Pea, Celadine Poppy, Chard, Cherry, Chocolate Cosmos, Christmas Cactus, Coffee, Cootamundra Wattle, Dahlia, Eastern Red Columbine, English Cucumber, Geranium, Hardy Hibiscus, Hierbamora / Black Nightshade, Kembang Telang, Marigold, Matcha, Moss-Rose Purslane, Northern White Cedar, Oak Apple, Onion, Ora-pro-nóbis, Paprika, Pau Brasil, Petunia, Phasey bean, Pokeberry, Poppy, Raspberry, Red cabbage, Red Pepper, Rose Madder or Dyer’s Madder, Rowanberry, Royal Grape, Skunk Cabbage, Spinach, Strawberry, Sunflower, Sweet Paprika, Turmeric, Violet, Walnut, Watercress, Winter Purslane, Woad and Yerba Mate.
Next time you want to know if a plant can be used to make an anthotype, just look it up – or use the book as inspiration to try something new.
About the editor
Malin Fabbri grew up in Sweden, and in her early twenties moved to London to study. She earned an M.A. in Design at Central St. Martin’s School of Design, but publishing her thesis felt more like a beginning than an end. Malin decided to combine her academic and practical experience and started AlternativePhotography.com in 2000. The website still maintains its origins as a source of information and research for alternative photographic processes and represents almost 400 artists. Malin actively manages the expansion of the site as editor. She researches alternative photographic processes, makes her own prints and runs workshops. Malin has also worked professionally with big media names like Time magazine and CNBC Europe. Malin is the co-author of Blueprint to cyanotypes and From pinhole to print, the editor of the alternative photography art book Alternative Photography: Art and Artists, Edition I representing 115 artists working in alternative photographic processes, and the author of Blueprint to cyanotypes – Exploring a historical alternative photographic process, a beginners book on cyanotypes, Anthotypes – Explore the darkroom in your garden and make photographs using plants, which is the only book dedicated to the anthotype process, Anthotype Emulsions, Volume 1 which contains the anthotype research of 100 artists from World Anthotype Day, and creator of two notebooks Anthotype notes – Document your anthotype process, and Cyanotype notes – Document your cyanotype process. She has a strong interest in all alternative processes. Malin now lives and works in Stockholm, Sweden and has two sons, Maximillian and Ruben.
Artists in the book
103 artists contributed with anthotypes to this book:
- Agnes Greta Erdelyi
- Alaz Okudan
- Alessia Siragusa
- Alexandra Whiteside
- Alina Vuxanovici
- Andie Dale
- Anna Leigh Clem
- Anne Eder
- Arcangela Regis
- Archana Verma Kakar
- Astrid Robertsson
- Bengisu Caygûr
- Berta Ibáñez
- BluePrint
- Brittonie Fletcher
- Bruce Dunbar
- Camila Mangueira
- Carmen Ayala
- Carolina Carmini
- Cecília Cartaxo
- Célica Veliz
- Chris G Smith
- Christine Acebo
- Clive Pigott
- Dalene Marais
- David Lowe
- David Silk
- Dee Lister
- Dennis Humphrey
- Devon John Chebra
- DM Witman
- Donna Moore
- Elizabeth Lee and Simone Wicca
- Émilie Léger
- Fiona Robinson
- Francis Schanberger
- Frank Gorga
- Fruma Markowitz
- Genevieve Rudd
- Gizem Tonbak
- Hamed Jaberha
- Hannie Mommers
- İlhan Sadıkoğlu
- Isabelle Goossens
- Ivan Rivera
- Ivonne Gutiérrez González
- Janos Bihari
- Jesseca Ferguson
- Jessica Franzén
- Jorge A. Olave Riveros
- Kasia Kalua Krynska
- Karen Carson
- Keila Knobel
- Kelly Barfoot
- Kendall Reiss and Jesseca Ferguson
- Kimberly Halyburton
- Kristine Sargsyan
- Laura Albornoz
- Laure Martin
- Laurie Beck Peterson
- Linda Maria Thompson
- Lökidore Laurence
- Lukasz Biazik
- Malin Fabbri
- Margje Bijl
- Marina Soares
- Marion Sidebottom
- Marjan Van Der Donk
- Martine Marie-Anne Chartrand
- Mary Kocol
- Melanie Schoeniger
- Michael Cessna
- Milena Michalski
- Mónica Páez Espinosa
- Montserrat Rodríguez aka nyx10110
- Nancy Breslin
- Natalia Rudychev
- Nathalia Dov
- Nícola Batista Loss Medeiros
- Palle Lindgaard-Jørgensen
- Pam Du Val
- Penny Russell
- Rafael Marcon
- Rajeev Peethambaran
- Ralph Rinke
- Reuben Frank Woods
- RJ Partington
- Robyn Nielsen
- Ronald D. Butler
- Roxanne Lasky
- Sara Olivia Fuentes
- Sharon Lee Hart
- Stephanie Frondoso
- Sutticha Homsungnoen
- Tania Valarezo
- Teodoro Katinis e Silvia Giardina
- Teresa Guxens
- Tian Shi
- Tina Tryforos
- Tommy Hurtig
- Valeria Accili
- Vidhyasuri Utami
- Wendy Currie
Anthotype emulsions
The book contains research on 60 emulsions:
- African Lily
- Algae / Spirulina
- Amaranth
- Arjuna tree
- Basil
- Beach Rose
- Beech
- Beetroot
- Black Grape
- Black Raspberry
- Blackberry
- Blackcurrant
- Blueberry
- Bougainvillea
- Butterfly Pea
- Celadine Poppy
- Chard
- Cherry
- Chocolate Cosmos
- Christmas Cactus
- Coffee
- Cootamundra Wattle
- Dahlia
- Eastern Red Columbine
- English Cucumber
- Geranium
- Hardy Hibiscus
- Hierbamora / Black Nightshade
- Kembang Telang
- Marigold
- Matcha
- Moss-Rose Purslane
- Northern White Cedar
- Oak Apple
- Onion
- Ora-pro-nóbis
- Paprika
- Pau Brasil
- Petunia
- Phasey bean
- Pokeberry
- Poppy
- Raspberry
- Red cabbage
- Red Pepper
- Rose Madder or Dyer’s Madder
- Rowanberry
- Royal Grape
- Skunk Cabbage
- Spinach
- Strawberry
- Sunflower
- Sweet Paprika
- Turmeric
- Violet
- Walnut
- Watercress
- Winter Purslane
- Woad
- Yerba Mate
Arjuna tree (Terminalia Arjuna) + Others anthotype by Archana Verma Kakar
“Epiphany” by Archana Verma Kakar
Country: India
Plants used: Turmeric, Onion skins, and my homemade brown ink from the Arjuna tree
Parts used: Flowers
Application: Brushing
Exposure time: 5 hours
Month, season and year: August, summer 2022
Substrate: Bustro 300gsm Watercolour paper (25 percent cotton)
Contrast of final print: ** (Medium)
Basil (Ocimum Basilicum) + Sicilian Snake Pumpkin (Lagenaria Siceraria) anthotype by Alessia Siragusa
“Reviving Hope” by Alessia Siragusa
Country: Italy
Parts used: Leaves
Application: Brushing
Exposure time: Basil: 4 days / Sicilian Snake Pumpkin:2 days
Month, season and year: August, summer 2022
Substrate: Fabriano Artistico watercolour paper
Contrast of final print: ** (Medium)
Beach Rose (Rosa rugosa) anthotype by Kendall Reiss and Jesseca Ferguson
“Leaf of the Great Tulip Tree” by Kendall Reiss and Jesseca Ferguson
Country: USA
Parts used: Petals
Application: Brushing
Exposure time: 48 hours
Month, season and year: July, summer, 2022
Substrate: Lanaquarelle watercolour paper
Contrast of final print: ** (Medium)
Beech, common (Fagus sylvatica) + Paprika, common (Capsicum annuum) anthotype by Chris G Smith
“Alternative Hope” by Chris G Smith
Country: UK
Plants used: Beech, common (Fagus sylvatica) mixed with a small amount of Paprika, common (Capsicum annuum)
Parts used: Leaves, powder
Application: Brushing
Exposure time: 4 hours
Substrate: August, Summer 2022
Substrate: Watercolour paper, 300 gsm
Contrast of final print: * (Low)
Beetroot (Beta vulgaris var. conditiva) anthotype by Montserrat Rodríguez aka nyx10110
“A dose of vitamins, 3” by Montserrat Rodríguez aka nyx10110
Country: Catalonia (Spain)
Parts used: For example: Root
Application: Brushing with a large mop
Exposure time: 7 days
Month, season and year: July, summer, 2022
Substrate: Watercolour paper: Arches Cold Pressed 300g 100% cotton pad
Contrast of final print: ** (Medium)
Beetroot (Beta vulgaris) anthotype by David Silk
“Dream” by David Silk
Country: UK
Parts used: Root
Application: Brushing
Exposure time: 4 hours
Month, season and year: August, summer, 2022
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Beetroot (Beta vulgaris) anthotype by İlhan Sadıkoğlu
“Serenity” by İlhan Sadıkoğlu
Country: Turkey
Parts used: Root
Application: Brushing
Exposure time: 4 days
Month, season and year: August, Summer, 2022
Substrate: Watercolour paper (Canson, 200 gsm)
Contrast of final print: *** (High)
Beetroot (Beta vulgaris) anthotype by Marina Soares
“Where the Mysteries Live” by Marina Soares
Country: Brazil
Parts used: Root
Application: Brushing
Exposure time: 2 days
Month, season and year: September, spring, 2021
Substrate: watercolour paper, 300 gsm
Contrast of final print: ** (Medium)
Beetroot (Beta vulgaris) anthotype by Robyn Nielsen
“I Hope This Works…” by Robyn Nielsen
Country: Australia
Parts used: Juice from tin
Application: Sponge brush
Exposure time: 4.5 hours under 100w UV light (placed 12 cm from the light source)
Month, season and year: August, winter 2022 – but I used a UV light
Substrate: Eraldo Di Paolo Watercolour paper (100% cotton, rough, 300 gsm)
Contrast of final print: ** (Medium) (this is my first one so I can’t really compare it to anything, although the subject came up really clear, so it must be good)
Black Grape (Vitis vinifera) + Geranium (pelarnonium) anthotype by Lökidore Laurence
“Love is Hope” by Lökidore
Country: France
Parts used: Grape skin and geranium petals
Application: Brushing
Exposure time: 3 days including 1 with sun and 2 with mixed weather
Month, season and year: August, summer, 2022
Substrate: Watercolour paper 300gr/m2.
Contrast of final print: ** (Medium)
Black Raspberry, Wild (Rubus occidentalis) + Pansy (Viola) anthotype by Mary Kocol
“Thyme, Valerian Leaf, Queen Anne’s Lace, and Hyssop Photogram” by Mary Kocol
Country: USA
Parts used: Berries only – ripe black ones & almost ripe red also ok, mixed together;
Application: Hake brush
Exposure: 1 day in full summer sun
Month, season, year: Early July, summer, 2022
Substrate: Canson mix media paper, 98lb/160g
Contrast of final print: *** (High)
Blackberry (Rubus Fruticosus) anthotype by Reuben Frank Woods
“Changing Season” by Reuben Frank Woods
Country: UK
Parts used: Berries
Application: Brushing with a foam brush
Exposure time: 2 days (cloudy)
Month, season and year: August, Summer, 2022
Substrate: Card
Contrast of final print: * (Low)
Blackberry (Rubus fruticosus) anthotype by Sharon Lee Hart
“Rebloom” by Sharon Lee Hart
Country: USA
Parts used: Berry
Application: Brushing
Exposure time: 42 hours
Month, season and year: July/Summer/2022
Substrate: Hahnemuhle Platinum Rag 300 gsm
Contrast of final print: ** (Medium)
Blackberry (Rubus ulmifolius) anthotype by Gizem Tonbak
“First Anthotype” by Gizem Tonbak
Country: Turkey
Parts used: Fruit
Application: Brushing
Exposure time: 6 hours
Month, season and year: 18 August, summer, 2022
Substrate: Watercolour paper (200 gsm, cotton rag)
Contrast of final print: ** (Medium)
Blackberry (Rubus) + Red Currant (Ribes Rubrum) anthotype by Milena Michalski
“Hope – our consolation on the journey (St. Augustine’s Tower)” by Milena MichalskiParts used: Fruits
Country: UK
Application: Brushing
Exposure time: 2 weeks and 2 days (16 days)
Months, season and year: Summer 2022
Substrate: Fabriano Accademia watercolour paper, 240 gsm
Contrast of final print: ** (Medium)
Blackberry (Rubus) / Red Cabbage (Brassica oleracea var. capitata f. rubra) anthotype by Devon John Chebra
“Hope Is A Thing With Wings” by Devon John Chebra
Country: USA
Parts used: Berries, cabbage leaf
Application: Brushing
Exposure time: 2 days
Month, season and year: August, summer, 2022
Substrate: Strathmore Bristol Smooth 400
Contrast of final print: ** (Medium)
Blackberry, common (Rubus allegheniensis) anthotype by Dee Lister
“Look to the horizon” by Dee Lister
Country: UK
Parts used: Blackberry berries (fruit)
Application: Brushed
Exposure time: 14 days
Date/season: Midsummer (early – mid June), 2022
Substrate: Mixed media paper 300gsm
Contrast of final print: ** (Medium)
Blackberry, common (Rubus ulmifolius) anthotype by Valeria Accili
“Magic Waterwall” by Valeria Accili
Country: Italy
Parts used: Juice
Application: Brushing
Exposure time: 2 weeks
Months, season and year: Autumn 2021
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Blackcurrant (Ribes nigrum) anthotype by Tommy Hurtig
“I hope in afterlife” by Tommy Hurtig
Country: Sweden
Parts used: Berry
Application: Brushing
Exposure time: 2 weeks
Month, season and year: August, summer, 2022
Substrate: watercolour paper
Contrast of final print: * (Low)
Blueberry (Vaccinium myrtillus) + Lupine (Lupinus Platycarpos) anthotype by Linda Maria Thompson
“Blomlandet from the anthotype book Återvändarna” by Linda Maria Thompson
Country: Sweden
Parts used: Petals, berries
Application: Dipping
Exposure time: 3-6 weeks
Month, season and year: July, Summer, 2017
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Blueberry (Vaccinium sect. cyanococcus) anthotype by Tian Shi
“Will fall, will not fall, hope of the cat” by Tian Shi
Country: Belgium
Parts used: Blueberry berry
Application: Brushing
Exposure time: 3 weeks
Month, season and year: August , summer, 2022
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Blueberry, wild from Maine (Vaccinium angustifolium) anthotype by DM Witman
“Mourning” by DM Witman
Country: USA
Parts Used: Fruit
Application: Foam Brush
Exposure Time: 3 months
Month, season, year: Winter through a window in Maine
Substrate: Arches Platine
Contrast of final print: ** (Medium)
Bougainvillea (Bougainvillea glabra) anthotype by Penny Russell
“Jude’s Garden” by Penny Russell
Country: UK, but print made in Majorca
Parts used: Petals
Application: Brushing
Exposure time: 7 hours
Month, season and year: August, summer, 2022
Substrate: Sketchpad paper 140 gm (cream)
Contrast of final print: ** (Medium)
Bougainvillea (Bougainvillea spectabilis) anthotype by Arcangela Regis
“Buga22” by Arcangela Regis
Country: Spain
Parts used: Petals
Application: Brushing
Exposure Time: 3 days
Month: July 2022
Substrate: Watercolour paper
Contrast of final print: ** (Medium)
Bougainvillea (Bougainvillea spectabilis) anthotype by Hannie Mommers
“Where feathers appear angels are near” by Hannie Mommers
Country: Spain
Parts used: Petals
Application: Brushing
Exposure time: 1.5 days
Month, season and year: August, summer, 2022
Substrate: watercolour paper
Contrast of final print: * (Low)
Butterfly Pea (Clitoria ternatea) anthotype by Stephanie Frondoso
“Dreaming” by Stephanie Frondoso
Country: Philippines
Parts used: Petals
Application: Brushing
Exposure time: 2 days
Months, season and year: May, summer, 2021
Substrate: watercolour paper
Contrast of final print: *** (High)
Celadine Poppy (Stylophorum diphyllum) + Viola (Viola tricolor) anthotype by Christine Acebo
“Even Crows Hope” by Christine Acebo
Country: USA
Parts used: Petals
Application: Brushing
Exposure time: 4 days
Month, season and year: June, summer, 2022
Substrate: Canson Mixed Media Artboard
Contrast of final print: *** (High)
Chard (Beta vulgaris) anthotype by Ivan Rivera
“Raramuri Girl” by Ivan Rivera
Country: Mexico
Parts used: Leaf
Application: Brushing
Exposure time: 3 days
Month, season and year: July, summer, 2022
Substrate: Cotton paper
Contrast of final print: ** (Medium)
Chard, common (Beta vulgaris L. var. cicla) anthotype by Alaz Okudan
“Ramified” by Alaz Okudan
Country: Turkey
Parts used: Leaves
Application: Brushing (with a foam brush)
Exposure time: 8 hours
Month, season, and year: July, Summer, 2021
Substrate: Canson Montval 300 gr watercolour paper
Contrast of final print: ** (Medium)
Cherry (Prunus cerasus) + Wine, red anthotype by Natalia L Rudychev
“Cherry Petals in Flight” by Natalia L Rudychev
Country: USA
Common name of plant and latin name of plant: sour cherry organic juice (Prunus Cerasus)/merlot wine
Parts used: Sour cherry fruit juice/merlot wine
Application: Brushing
Exposure time: 3 weeks
Months, season and year: July, summer, 2021
Substrate: Strathmore watercolour paper
Contrast of final print: ** (Medium)
Cherry laurel (Prunus laurocerasus) anthotype by Jorge A. Olave Riveros
“Album Familiar” by Jorge A. Olave Riveros
Country: Chile
Parts used: Powder
Application: Brushing
Exposure time: 3 months
Month, season and year: February-April, 2022
Substrate: Watercolour paper
Contrast of final print: * (Low)
Chocolate Cosmos (Cosmos atrosanguineus) anthotype by Kelly Barfoot
“Future Dreaming” by Kelly Barfoot
Country: UK
Parts used: Petals
Application: Brushed on
Exposure time: 2 weeks
Month, season and year: July, summer, 2022
Substrate: watercolour paper
Contrast of final print: ** (Medium)