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Anthotype database: Emulsions by colour

Find emulsions by colour. This Anthotype database of emulsions will grow each year on Anthotype Day when artists add to the knowledge-bank. It can be used for free, but if you can, please support this resource by becoming a supporting member. Much appreciated!

 

Emulsions 2022 | 2023 | 2024 | 2025 | List of ALL emulsions ever
 

Blue anthotype emulsions


 

Brown anthotype emulsions

Basil (Ocimum basilicum) anthotype by Shannon Beatty

“Hippeastrum” by Shannon Beatty, Frederick, Maryland, USA
Parts used: Leaves
Amount: A generous handful for each print
Extracted by: Macerating in a laboratory blender and filtering through cheesecloth
Solvent: ~10 ml of 91% isopropyl alcohol per print
Application: Brushing with a foam brush


 

Green anthotype emulsions

Spinach (Spinacia oleracea) anthotype by Pam McLean-Parker

“Pennsylvania Ferns” by Pam McLean-Parker, Pennsylvania, USA
Parts used: Spinach leaves and stems
Amount: 4 cups spinach leaves from Northern Pennsylvania (spinach origin location nearby the pressed ferns within my imagery)
Extracted by: Chopping, blending and filtering
Solvent: 1/2 cup of 91% Isopropyl Alcohol
Application: Brushing


 

Grey anthotype emulsions


 

Orange anthotype emulsions


 

Pink anthotype emulsions


 

Purple anthotype emulsions

Oregon grape (Mahonia aquifolium) anthotype by Kriszta Németh

“Fotófalu” by Kriszta Németh, Törökbálint, Hungary
Parts used: Berries / Bark of stem and root
Amount: About a half handful for each print (berries) / Stem and root cut into approximately 10 cm pieces
Extracted by: Simple pressing (berries) / Soaking in alcohol (bark of stem and root)
Thinner: None for berries / Pure Ethanol for bark and root
Application: Brushing
Layers: 1 for berries / 3 for bark of stem and root


 

Red anthotype emulsions


 

Yellow anthotype emulsions

Oregon grape (Mahonia aquifolium) anthotype by Kriszta Németh

“Fotófalu” by Kriszta Németh, Törökbálint, Hungary
Parts used: Berries / Bark of stem and root
Amount: About a half handful for each print (berries) / Stem and root cut into approximately 10 cm pieces
Extracted by: Simple pressing (berries) / Soaking in alcohol (bark of stem and root)
Thinner: None for berries / Pure Ethanol for bark and root
Application: Brushing
Layers: 1 for berries / 3 for bark of stem and root

Rosemary (Rosmarinus officinalis) anthotype by Debbie Bentley

“Flowers and Grasses” by Debbie Bentley, Wiggins, Colorado, USA
Parts used: Leaves
Amount: 8 cut stems from the plant in the greenhouse, which I grew from seed. I used the leaves I removed, weighing 41 grams
Extracted by: Boiled the leaves in water for 10 minutes, then soaked them in the hot water for another 10 minutes. I then crushed the drained leaves with a mortar
Solvent: 1/2 cup of 91% Alcohol
Application: Brushing


 


 
 

This anthotype is part of World Anthotype Day

World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 is the first book in the series:
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022
Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022


Volume 2 is the second book:
Anthotype Emulsions, Volume 2 – The collective research from photogaphers on World Anthotype Day 2023
Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023


 
Volume 3 is the third book:
Anthotype Emulsions, Volume 3 – The collective research from photogaphers on World Anthotype Day 2024
Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
 

Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024


Volume 4 will be the fourth book:

In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
 

Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026


If you want to learn more about making anthotypes there is also the first "how-to" book:
Anthotypes – Explore the darkroom in your garden and make photographs using plantsMake prints using plants - an environmentally safe process!
 
The first book solely dedicated to Anthotypes.
 

Anthotypes – Explore the darkroom in your garden and make photographs using plants

9 of 10   Rated 9,8 - based on 224 votes

And also the Complete Guide and How-To book:
Anthotypes - The Complete Guide to Making Photographs with Plants and SunlightLearn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.
 
The extended and complete guide to Anthotypes.
 

Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight

 
If you are already practising anthotype printing, we suggest making notes to document and learn:
Anthotype Notes50 pre-defined pages for you to document your anthotype process.
 

Anthotype notes – Document your anthotype process

Free for Supporting Members - both new and exisiting!

10 of 10   Rated 10 - based on 8 votes