From: San Francisco, USA.
Shows: Cyanotypes, Kallitypes, Photopolymer gravures, Vandyke browns, Vandykes over cyanotype and Wet plate collodions.
Elizabeth Graves on the mysteries of pricing art for distant shows, what research to do and guidance needed.
Elizabeth Graves on the alt. proc. label on art – loathing it or loving it?
Thoughts from Elizabeth Graves on why new digital imaging technology is often used to imitate the appearance of old, chemical photography.
The unlikely story of how Elizabeth Graves built a large format camera, modified film holders by her own design to hold wet plates, mixed collodion chemistry without blowing up her home, used her garage door as a shutter, and (after several adjustments) got her homemade plates into a group gallery show in New York City.
Elizabeth Graves reviews “The introduction to The Edge of Vision: the Rise of Abstraction in Photography” by Lyle Rexer.