“Antithesis” by Tracy Piper-Wright, Shropshire, UK
Parts used: Flowers
Amount: A handful of flowers
Extracted by: Mortar
Solvent: Tap water
Application: Brushing
Layers: 2
Substrate: Seawhite cartridge paper, 140 gsm
Created with: Two English bluebells arranged on a scanner bed and scanned. A positive was printed on acetate with a laser jet.
Exposure: Approximately 40 hours over 2 weeks, variable sun and cloud in October, autumn 2025
UV strength: 1-2 average
Temperature: 13° Celsius or 55° Fahrenheit average
Contrast: ✿ (Low)
Challenges or observations: The first batch of emulsion was stored in the fridge for a day or two before coating, but by the time I used it, the bright blue colour had completely disappeared, turning into a dull grey. I remade the emulsion and coated the paper immediately. Once the paper is coated, it seems stable. With fewer flowers available, I could apply only two coats—ideally, three or four would create a denser base. This experiment showed that blue pigments are quite volatile and should be used fresh.
Additional information: The paper for this anthotype was coated in September 2024. It was coated, dried, and stored in cool, dark conditions. I selected it for this image because its colour evoked the delicate hue of wild bluebells.
Instagram: @tracypiperwright
Facebook: facebook.com/tpiperwright
Bluesky: @teepw.bsky.social
Website: www.tracypiperwright.co.uk
African lily (Agapanthus africanus) anthotype by Tracy Piper-Wright
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
World Cyanotype Day

