“Free Roaming Friends” by Mariam Matta, Los Angeles, California, USA
Parts used: Powders
Amount: First, equal amounts of both powders, then I added slightly more turmeric. Minimum triple liquid to powder ratio by volume for solvent
Extracted by: Soaking and swirling in a metal cocktail shaker, then draining slowly through coffee filters.
Solvent: 91% isopropyl alcohol, and a tiny bit of water for getting the stubborn bits drained
Application: Airbrushed until the paper was evenly a deep yellow
Substrate: Canson XL watercolour paper, the smooth side
Created with: Two colour inkjet positives together, printed on cheap Weliu transparency film with an Epson ET8550
Exposure: 1 hour using UV lamp, October, early fall 2025
UV strength: Used a 30W UV lamp mounted parallel a few inches away from the paper. A UV meter indicated UV dosage accumulated at roughly 75 mJ/minute at this distance
Contrast: ✿✿ (Medium)
Challenges or observations: I began airbrushing this emulsion because brushing an even coat with an alcohol-based solution was nearly impossible. The emulsion performs best with a higher alcohol content, and airbrushing made a world of difference. Sharper results can be achieved on thinner papers like smooth watercolour or matte heavyweight inkjet papers, though the smooth side of Canson XL handles the moisture from toning washes well without warping. The toning solution – a mix of baking soda, washing soda, and water – was also airbrushed on after exposure.
Additional information: I applied the emulsion with my airbrush, double-straining it to prevent clogs and spraying at half power from arm’s length. It uses a bit more emulsion and needs thorough cleaning, but the smooth results were worth it. I now use a cheaper airbrush with a larger nozzle for toning. I bonded deeply with this curious peacock and white emu at a free-roam wildlife sanctuary in the desert. This print is an homage to them. The peacock was perched on the patio sofa, peering through our cabin window, which explains the image’s lower contrast.
Instagram: @vibefae
Bluesky: @vibefae.bsky.social
Website: mariammatta.univer.se
Mix of Spirulina (Spirulina platensis) and Turmeric (Curcuma longa) anthotype by Mariam Matta
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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