“Summer Fern” by Leah Campbell, Flagstaff, Arizona, USA
Parts Used: Whole flower
Amount: 12 tablespoons
Extracted by: Mortar and pestle
Thinner: Isopropyl alcohol 91%
Application: Foam brush
Layers: 2
Substrate: Arches hot pressed watercolour paper, 300 gsm
Created with: Photogram of fern
Exposure: 36 hours over 7 days in August, summer 2024
UV strength: 3-11
Temperature: 24-32° Celsius
Humidity: 35-55%
Contrast: ✿ (Low)
Challenges or observations: The flowers of the Sierra larkspur are purple so consequently, the hue of the extracted dye was also purple. Interesting to note, however, is that the color upon application turned purple-ish green and the print of the fern itself turned out purple-ish blue. This may have been due to the fact that I used the whole flower (excluding the stem and leaves) instead of using only the petals. Still, it was quite surprising!
Additional information: Sierra larkspur is native to western North America and has been heavily featured in phytochemical research. Toxic to both humans and animals, it has long been associated with livestock poisoning. This species grows in moist mountain habitats, including riverbanks and meadows.
Instagram: @leahjanestudio
Sierra larkspur (Delphinium glaucum) anthotype by Leah Campbell
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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