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Mix of Roselle (Hibiscus sabdariffa), Almond tree (Prunus dulcis) and Poppy, common (Palaver rhoeas) anthotype by Rachel Osowiecki

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“Traveller’s Joy” by Rachel Osowiecki, Paris, France
Parts used: Roselle: dried calyces. Almond tree: dried outer shell. Poppy: dried petals
Amount: Roselle: 1 tablespoon. Almond tree: a handful. Poppy: a handful
Extracted by: Roselle and Almond tree: soaking for one year, Poppy: soaking for 2 days
Thinner: 70% modified alcohol for all emulsions
Application: Brushing, dipping the brush directly in the unfiltered solutions

Mix of Roselle (Hibiscus sabdariffa) / Almond tree (Prunus dulcis) / Poppy, common (Palaver rhoeas) anthotype by Rachel Osowiecki Mix of Roselle (Hibiscus sabdariffa) / Almond tree (Prunus dulcis) / Poppy, common (Palaver rhoeas) anthotype by Rachel OsowieckiLayers: 1 layer, dried for one night
Substrate: Watercolour paper, Clairefontaine Aquapad, cold pressed 300 gsm
Created with: Photogram of pressed Clematis vitalba, laminated in a plastic sheet
Exposure: The paper and laminated pressed plant were hung behind a double-layered window and left there during the whole process. Full sun exposure for about 4 hours a day. 12 days of exposure in July-August, summer 2024
Temperature: 12-34° Celsius
Contrast: Roselle: ✿ (Low), Almond tree and Poppy: ✿✿ (Medium)
Challenges or observations: Given the bad weather conditions we had in Paris in July, I knew I would need several days of exposure. Also, I didn’t want to move the photogram during the process to check the exposure.
I decided to expose a “proof set” to check the contrast every two days and cut an area each time to obtain a scale. I also note the weather conditions on each paper strip. It was very helpful to get enough sun to create a nice contrast but to stop before the paper gets too much UV.
I laminated the plant between two plastic sheets to avoid using a frame with a glass that where too heavy to hang in the window and also to avoid adding chemicals the plants could put on the paper when deteriorated by the sun.
Additional information: I really love that the technique needs both scientific method and artistic intuition
Instagram: @rachel.simple.fleur


 
 

This anthotype is part of World Anthotype Day

World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 is the first book in the series:
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022
Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022


Volume 2 is the second book:
Anthotype Emulsions, Volume 2 – The collective research from photogaphers on World Anthotype Day 2023
Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023


 
Volume 3 is the third book:
Anthotype Emulsions, Volume 3 – The collective research from photogaphers on World Anthotype Day 2024
Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
 

Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024


Volume 4 will be the fourth book:

In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
 

Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026


If you want to learn more about making anthotypes there is also the first "how-to" book:
Anthotypes – Explore the darkroom in your garden and make photographs using plantsMake prints using plants - an environmentally safe process!
 
The first book solely dedicated to Anthotypes.
 

Anthotypes – Explore the darkroom in your garden and make photographs using plants

9 of 10   Rated 9,8 - based on 224 votes

And also the Complete Guide and How-To book:
Anthotypes - The Complete Guide to Making Photographs with Plants and SunlightLearn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.
 
The extended and complete guide to Anthotypes.
 

Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight

 
If you are already practising anthotype printing, we suggest making notes to document and learn:
Anthotype Notes50 pre-defined pages for you to document your anthotype process.
 

Anthotype notes – Document your anthotype process

Free for Supporting Members - both new and exisiting!

10 of 10   Rated 10 - based on 8 votes

 
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Pure Inspiration #2: COLOUR

by Malin Fabbri

Discover how 140+ artists bring colour to traditionally monochrome processes. This book explores pigments, chemistry, layering, and experimentation through real working examples. Combines inspiration and learning!
 

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Pure Inspiration #1: COMPOSITES

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A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!
 
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Alternative Photography: Art and Artists, Edition 2

by Malin Fabbri

Step into a world where light, chemistry, and creativity collide. 137 artists push the boundaries of alternative photography, with processes like cyanotype, gum, and platinum printing to create unique, handcrafted images. They showcase their work, insights, and inspiration.
 

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