“Cosmos” by Christine Fernandes, Tyrone, Pennsylvania, USA
Parts used: Leaflets stripped from stems
Amount: About 2 cups of leaf material, approximately 20 medium-sized fronds
Extracted by: Blender
Thinner: 2 caps full of denatured alcohol
Application: Black sponge and hake brush
Layers: 2
Substrate: Hahnemühle Platinum Rag, 300 gsm
Created with: Positive image of photograph on transparency paper
Exposure: 5 days, taped to southern-facing window, in August, summer 2024
UV strength: Average 7
Temperature: Average 88° Fahrenheit
Humidity: High, 60%
Contrast: ✿✿ (Medium)
Challenges or observations: Leaves were easily stripped off by pinching and running fingers down the length of the stem. The blended leaves were very dry and yielded little pigment. The liquid was sage-green and slightly foamy. It spread very evenly on the paper. Two cups of plant material (stripped leaves from approximately 20 compound leaf fronds) yielded barely enough liquid to coat one piece of paper two times. I suggest cutting 40+ leaf fronds for additional coats.
Additional information: Bleaching went very quickly even though it was overcast and rainy during exposure. If it had been sunny for more than a day, I think it would have been ready in 2-3 days instead of 5.
Instagram: @fernandesphotography2024
Mimosa tree / Pursian silk tree (Albizia julibrissin) anthotype by Christine Fernandes
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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World Anthotype Day
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