“Calm” by Rhonda Lee Usipiuk, Victoria, British Columbia, Canada
Parts used: Leaves
Amount: 1/3 cup
Extracted by: Snipping with scissors, and grinding with mortar and pestle
Thinner: 2 tablespoons cheap vodka
Application: Brushing with a foam brush

Layers: 2 good coats
Substrate: Hahnemühle hot press watercolour paper, 300 gsm
Created with: Digital positive on inkjet transparency film
Exposure: 12 mostly sunny days from July 12-23, summer 2024
UV strength: 6-8
Temperature: 21-29° Celsius
Humidity: 48-66%
Contrast: ✿✿ (Medium)
Challenges or observations: The leaves were quite tough to break down using the mortar and pestle. I suggest using a blender. I had to add more vodka to make enough liquid. The smell of the lemon balm, combined with the vodka, was powerfully pungent and I had to finish grinding it outdoors. The emulsion is a lovely warm, tawny colour.
Additional information: Lemon balm is used as a culinary, medicinal, and cosmetic herb and is known to have calming properties. My anthotype, a holiday image from 2023, features one of the 16 carved maskerons on the Large Onofrio’s Fountain in Dubrovnik, Croatia. It was designed by Onofrio della Cava in 1438 and was meant to provide the public with safe, clean drinking water. The fountain still serves this purpose and is ideal for filling water bottles with cool, fresh water.
Instagram: @rhondaleeusipiuk
Website: www.rhondaleeusipiuk.com
Lemon balm (Melissa officinalis) anthotype by Rhonda Lee Usipiuk
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

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