“Summer Diary” by Diane Jaquith
Country: Gloucester, Massachusetts, USA
Parts used: Petals
Amount: About 12 flowers per print
Extracted by: Mini juicer
Thinner: Distilled water
Application: Brushing
Layers: 4 layers
Substrate: Watercolour paper
Created with: Photogram of dried plants: daylily blossom, nasturtium leaves, and peony leaves
Exposure: 8 days, late July–early August, summer 2023
Contrast: ✿✿ (Medium)
Challenges or observations: The blue-violet petals create a beautiful blue emulsion when mixed with a bit of distilled water.
Additional information: The roots and stems of this plant can be poisonous to animals but the blooms are not. After picking and crushing the flowers, I added a tiny amount of distilled water to create a liquid; the crushed flowers and liquid were squeezed into a bowl through a piece of cheesecloth. I created and painted the emulsion all on the same day, coating the paper four times until it was a light blue color. The dried plants were placed over the emulsion, with a thin piece of plexiglass on top and foam core on the bottom, then clamped tightly and left outdoors. When the background appeared near-white, I decided that the print was complete.
Instagram: @dianejaquith
Balloon flower (Platycodon grandiflorus) anthotype by Diane Jaquith
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
- Buy eBook directly from us (best price)
- Buy standard paperback or premium hardcover from Lulu (best price)
- Buy from Amazon.com or Amazon.co.uk
- See ALL PRINT options and more info here



World Anthotype Day
World Cyanotype Day

