“Grief” by Clive Pigott
Country: Wellington, New Zealand
Parts used: Skin of the ‘pear’
Amount:Whole of ‘pear’ skin
Extracted by: Chopping, mortar, soaking and squeezing through muslin
Thinner: Isopropyl alcohol
Application: Brushing

Layers: 4
Substrate: Watercolour paper, Fabriano Artistico, 300 gsm
Created with: OHP Digital positive
Exposure: 2.5 months (still ongoing – see below), May, June, July Winter 2023
Contrast: ✿✿ (Medium)
Challenges or observations: Difficult to get a ‘juice’ for coating; the skin is fairly dry and hard (a bit like cardboard).
This image was exposed in a window that pointed directly north toward our winter sun; it has taken ages to get to this point. I almost pulled it and opted for another botanical.
Additional information: This image is still being exposed. I decided to keep it going beyond the Anthotype Day deadline. The definition/sharpness of the print is much better than I achieved last year with my cabbage and beet mix.
Instagram: @artfuldodgephoto
Avocado (Persea americana) anthotype by Clive Pigott
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023

Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
Make prints using plants - an environmentally safe process!The first book solely dedicated to Anthotypes.
Anthotypes – Explore the darkroom in your garden and make photographs using plants
Rated 9,8 - based on 224 votes
Learn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.The extended and complete guide to Anthotypes.
Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight
50 pre-defined pages for you to document your anthotype process.
Anthotype notes – Document your anthotype process
Rated 10 - based on 8 votes

The Massive Paper chart
85+ papers tested in the argyrotype, chrysotype, cyanotype, palladium, salted paper and vandyke brown process.Pure Inspiration #2: COLOUR
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- See ALL PRINT options and more info
Pure Inspiration #1: COMPOSITES
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!Alternative Photography: Art and Artists, Edition 2
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- Buy standard paperback or premium hardcover from Lulu (best price)
- Buy from Amazon.com or Amazon.co.uk
- See ALL PRINT options and more info here



World Anthotype Day
World Cyanotype Day

