“I Hope This Works…” by Robyn Nielsen
Country: Australia
Parts used: Juice from tin
Application: Sponge brush
Exposure time: 4.5 hours under 100w UV light (placed 12 cm from the light source)
Month, season and year: August, winter 2022 – but I used a UV light
Substrate: Eraldo Di Paolo Watercolour paper (100% cotton, rough, 300 gsm)
Contrast of final print: ** (Medium) (this is my first one so I can’t really compare it to anything, although the subject came up really clear, so it must be good)
Amount: Maybe a tablespoon, I just poured some into a container from the tin
Extracted using: I didn’t do anything, but it came from a tin from the supermarket, so I gather it is cooked (unsure).
Thinner: My sister’s favourite vodka was sampled (only a couple of mL). The ingredients of the beetroot tin: [beetroot (60%), water, sugar, food acid (acetic acid), salt]
Layers: 4
Used to create image: Rough Maidenhair Fern (Adiantum hispidulum) leaves and stem
Challenges or observations: This was my first beetroot anthotype (I have done only 2 other anthotypes previously using Turmeric), and it was very easy. It was just very messy and I had to be careful to cover everything with newspaper. I dried it in the laundry and it was getting late on the 4th coat and not drying that well, so I used a hairdryer, which worked well. I didn’t expose it until the next day, so I kept it in a book and wrapped newspaper around the book to keep the light out. I didn’t want to chase the winter sun the next day, so I used my UV light. There is a slight shadow effect because the paper was placed so close to the UV light (so there was less light on the edges).
Instagram: @keet.creates
This anthotype is part of World Anthotype Day
World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:
Volume 1 is the first book in the series:
Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026
If you want to learn more about making anthotypes there is also the first "how-to" book:
Make prints using plants - an environmentally safe process!
Discover how 140+ artists bring colour to traditionally monochrome processes. This book explores pigments, chemistry, layering, and experimentation through real working examples.
Combines inspiration and learning!
A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images.
Highly creative!
Step into a world where light, chemistry, and creativity collide. 137 artists push the boundaries of alternative photography, with processes like cyanotype, gum, and platinum printing to create unique, handcrafted images. They showcase their work, insights, and inspiration.
• Open for entries in August – 31st of October 2026, midnight, your own timezone
• The mission is to find unusual emulsions
• Get published in our this year's book!
Anthotype Day is free and open to all. Volunteers work for free. So, please help us crowd-fund the event. Any donation helps.
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