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Pepper / Paprika, common (Capsicum annuum varietals) anthotype by Frank Gorga

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“Summer Vine” by Frank Gorga
Country: USA
Parts used: Powder from the grocery store
Application: Dipping (but see observations)
Exposure time: 45-60 minutes
Months, season and year: July, summer, 2022
Substrate: Strathmore Series 400 Drawing paper (but see observations)
Contrast of final print: *** (High)

Anthotype Paprika, common (Capsicum annuum varietals) anthotype by Frank GorgaPaprika powder for making anthotypesAmount: 10 g /100 mL
Extracted using: Soaking, allowing insoluble material to settle out and decanting
Thinner: mineral spirits (but see observations)
Layers: 1 (but see observation)
Used to create image: fresh plant material (leaves and stem)

Challenges or observations:

1) Dipped paper works well, but adding a second coat with a brush after the first is dry is probably worthwhile.
2) iso-propanol (rubbing alcohol) can be used in place of mineral spirits but in this case double coating is
probably necessary.
3) This process does not seem to be picky about paper. I have tried a number of different papers from expensive
rag watercolor and printmaking papers to inexpensive drawing papers. All seem to work. My ‘go to’ papers are
Strathmore 400 Series drawing paper and Strathmore Vision drawing paper.
4) This process is *VERY* fast compared to most other anthotypes. Exposures are roughly 1 hour in bright sun.
5) Because of the speed of exposures it is worth considering the following:
a) I think that this process is well suited for teaching purposes, especially if one uses iso-propanol
as the solvent. (I doubt that I would use mineral spirits with children, but it might be OK with adults
in the right setting.) One should be able to go from making an extract to a finshed print in less than
one day.
b) Coated paper needs to be dried in a dark (because of the speed) and well ventilated (because of the
mineral spirits) place.
c) Paprika anthotypes are likely quite impermanent. However, I have found that spraying finished prints
with an acrylic fixative is very effective at stabilizing the prints.

A pdf file with the result of this
experiment and examples of paprika anthotypes is available at
http://gorga.org/blog/wp-content/uploads/2022/07/Paprika-Anthotypes.pdf


 
 

This anthotype is part of World Anthotype Day

World Anthotype Day - celebrated annually since 2022 was started by AlternativePhotography.com. Our global community of artists celebrates the anthotype process by submitting prints. These works are added to our database here and compiled into reference books. The purpose is to build a large resource where artist can learn which pigments and plants work and draw inspiration from others. The reference books can be found here:

Volume 1 is the first book in the series:
Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022
Volume 1 contains 60 unique anthotype emulsions from 103 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022


Volume 2 is the second book:
Anthotype Emulsions, Volume 2 – The collective research from photogaphers on World Anthotype Day 2023
Volume 2 contains 100 unique anthotype emulsions from 139 artists taking part from 31 countries.
 

Anthotype Emulsions, Volume 2 – The collective research from photographers on World Anthotype Day 2023


 
Volume 3 is the third book:
Anthotype Emulsions, Volume 3 – The collective research from photogaphers on World Anthotype Day 2024
Volume 3 pushes the boundaries with emulsions not only from plants and pigments, but also from beans, moss and mushrooms. 135 artists shared their research.
 

Anthotype Emulsions, Volume 3 – The collective research from photographers on World Anthotype Day 2024


Volume 4 will be the fourth book:

In Volume 4 we will combine entries from both 2025 and 2026 into one beautiful double edition to include even more inspiring work, insights, and pigments to explore. The release for the combined World Anthotype Day book is planned for November 2026 – a richer, more comprehensive collection worth the wait.
 

Anthotype Emulsions, Volume 4 – The collective research from photographers on World Anthotype Day 2025 and 2026


If you want to learn more about making anthotypes there is also the first "how-to" book:
Anthotypes – Explore the darkroom in your garden and make photographs using plantsMake prints using plants - an environmentally safe process!
 
The first book solely dedicated to Anthotypes.
 

Anthotypes – Explore the darkroom in your garden and make photographs using plants

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And also the Complete Guide and How-To book:
Anthotypes - The Complete Guide to Making Photographs with Plants and SunlightLearn everything there is to know about anthotypes in the updated edition 2 of our popular How-To book.
 
The extended and complete guide to Anthotypes.
 

Anthotypes - The Complete Guide to Making Photographs with Plants and Sunlight

 
If you are already practising anthotype printing, we suggest making notes to document and learn:
Anthotype Notes50 pre-defined pages for you to document your anthotype process.
 

Anthotype notes – Document your anthotype process

Free for Supporting Members - both new and exisiting!

10 of 10   Rated 10 - based on 8 votes

 
Looking for a good paper to use?
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Discover how 140+ artists bring colour to traditionally monochrome processes. This book explores pigments, chemistry, layering, and experimentation through real working examples. Combines inspiration and learning!
 

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A fusion of moments and visions from artists working in alternative photographic processes – featuring 90+ inspirational alternative photographic processes images. Highly creative!
 
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Step into a world where light, chemistry, and creativity collide. 137 artists push the boundaries of alternative photography, with processes like cyanotype, gum, and platinum printing to create unique, handcrafted images. They showcase their work, insights, and inspiration.
 

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