Tag: Nancy Breslin

Nancy Breslin Blog
AIPAD Shows in NYC

Nancy Breslin reports from the AIPAD shows where she found more than a few gems.

Nancy Breslin Blog
An app for that… while a darkroom survives

Nancy Breslin continues Peter J. Blackburn’s discussion on the disappearance of the traditional darkroom.

Nancy Breslin Blog
The lives of struggling artists

Nancy Breslin’s take on Patti Smith’s memoir “Just Kids” and her time with Robert Mapplethorpe.

Nancy Breslin Blog
Pictorialists Then and Now

Nancy Breslin goes to the Phillips Collection to see “TruthBeauty: Pictorialism and the Photograph as Art, 1845–1945″.

Nancy Breslin Blog
Food/Art in Los Angeles

I just got back from a trip to Los Angeles. We spent some time seeing friends and shopping (my 18 year old daughter was with us), taking pictures (I shot 6 rolls each with my Zero 2000 pinhole camera and my Diana+), but also managed to see some art.

Nancy Breslin Blog
A worldwide community

In theory alternative photography is “low tech,” although one thing I like about it is the fluidity between high and low. I might shoot on film with a plastic camera, then scan the negative so I can create an enlarged digital negative, then print in gum over cyanotype. Whatever works…

Nancy Breslin Blog
Gallery Hopping in New York

Nancy Breslin spent a day this week visiting photo exhibits in Chelsea (NYC).

Nancy Breslin Blog
A Worldwide Gallery of Pinhole Photos

Worldwide Pinhole Photography Day was about 2 weeks ago, and Nancy Breslin contributed to the gallery, she was the 3002nd person to do so, and more followed.

Nancy Breslin Blog
April 25 2010 is Worldwide Pinhole Photography Day

Pinhole photography may or may not fit into the general category of “alternative photography,” depending on how the latter is defined, but for me pinhole shares the creativity, uniqueness, and unpredictable nature of many alt processes.

Nancy Breslin Blog
The alternative niche

Recently the New York Times ran an article titled “For Photographers, the Image of a Shrinking Path” In a nutshell, the writer said that the combination of smarter, less expensive digital cameras, photosharing sites such as flickr, and fewer magazine pages have resulted in a very tough market for commercial photographers.

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