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Will the real Madame Matisse please stand up?
Color discrepancies are among a handful of shortcomings artists face when posting artwork on the web. Does it matter to you? What are the ramifications of your answer?
Our Art and Images on the Web: An Uneasy Conundrum, Part One

Peter J. Blackburn explores the hoodwinking tendencies of technology and the web in relationship to art and the artist.

Anthotypes

mf_maskros
Anthotype? A what?

An excerpt from Anthotypes – Explore the darkroom in your garden and make photographs using plants, and explains the difference between stencelling on plants and printing with plants.

Patinum and palladium photographers

Richard Freestone
Richard Freestone

From: Derby, UK. Shows: Platinum/palladiums. See gallery

Printers

Logo 139 printroom
139 Printroom

139 Printroom specialises in making Platinum/Palladium prints and have clients worldwide. They also run printing workshops.

Cyanotype photographers

Carlo Chechi
Carlo Chechi

From: Stigliano, Siena, Italy. Shows: Cyanotypes, salt prints and oil prints. See gallery

Anthotypes

Anthotypes from lilacs
Finding plants and pigments for making anthotypes

An excerpt from Anthotypes – Explore the darkroom in your garden and make photographs using plants. Plants suitable for making anthotypes and where to get them.

Negatives

Registering a negative for the gum bicromate process step 4
A simple negative registration method 

A simple, but effective OHP negative registration technique for gum printing. The method can be used for multiple pass single negative prints as well as CMYK negative prints.

Negatives

Grey gamma on digital negatives 6b
When to use gray gamma 1.8 or 2.2 for digital negatives

Regardless of the workflow you use to make digital negatives, consistency is the key to achieving repeatable results. It’s worth questioning whether or not the original step wedge was made in gray gamma 1.8 or gray gamma 2.2.

Cyanotype photographers

Rüdiger Beckmann
Rüdiger Beckmann

European photographers From: Hamburg, Germany. Shows: Cyanotypes. See gallery

Pinholes

From pinhole to print
Why pinhole?

An excerpt from From pinhole to print – Inspiration, instructions and insights in less than an hour. The beautiful qualities of a pinhole print.

Belgian photographers

Roger-Kockaerts
Roger Kockaerts

European photographers From: Brussels, Belgium. Shows: Palladium prints. See gallery

Pinholes

Pinhole cameras rely on the fact that light travels in straight lines – a principle called the rectilinear theory of light. This makes the image appear upside down in the camera.
How a pinhole camera works

An excerpt from From pinhole to print – Inspiration, instructions and insights in less than an hour. How a camera without a lens can be used to take pictures.

Chemicals & kits

Wet Plate Supplies

A range of premixed collodions, fixers and other chemistry, also a range of other essential supplies such as tintype plates, glass and other substrates.

Photogravure

Making Photogravures With Polymer Plates: A modern technique of historical photo-mechanical printing using steel-backed polymer plates, etched with ... by hand with traditional intaglio processes
Base exposure times when making photogravures with polymer plates

An excerpt from “Making Photogravures With Polymer Plates: A modern technique of historical photo-mechanical printing using steel-backed polymer plates, etched with water and printed by hand with traditional intaglio processes“.
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